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TELE 381 Advanced Topics in Television Production: This repeatable course will allow students to engage in producing for specific genres aligned with Advanced Topics in Television Producing.
Repeatable: Y Prerequisites TELE 210 The Television Producer Minimum Credits 1 Maximum Credits 4
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TELE 382 Advanced Topics in Television Studies: This repeatable course will allow students to explore rotating topics related to the domain of Television Studies.
Repeatable: Y Prerequisites TELE 320 Critical Television Theory and Analysis Minimum Credits 1 Maximum Credits 4
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TELE 383 Advanced Topics in Television Directing This is an Advanced Topics course in the area of Television Directing. The topics will vary.
Repeatable: Y Minimum Credits 1 Maximum Credits 4
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TELE 385 Advanced Television Studies: This course examines a specific subject within the field of television, rotating the subjects on a regular basis to keep the course relevant to trends and issues within television and society. Today more than ever, TV is the primary storyteller in U.S. culture, and therefore the medium raises a constant stream of issues concerning everything from representation of groups to how parents raise their children. Classes focus on providing students with in-depth examinations of TV-related topics, with an overarching emphasis on the importance of approaching television and related issues from a variety of humanities perspectives (philosophical, industrial, historiographical, psychological, etc.), so as to enrich and complicate our understanding. This advanced course requires each student to complete an original research project utilizing academic scholarship, along with the creation of a formal academic presentation.
Repeatable: N Formerly 40-3213 HU Prerequisites ENGL 112 Writing and Rhetoric II and TELE 320 Critical Television Theory and Analysis or ENGL 112H Writing and Rhetoric II: Honors and TELE 320 Critical Television Theory and Analysis or ENGL 122 International Writing and Rhetoric II and TELE 320 Critical Television Theory and Analysis Minimum Credits 3 Maximum Credits 3
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TELE 388 Television Script Analysis: Course is a rotating subjects class that examines the script of one episode of a television series from a variety of perspectives including historical, cultural, and textual. Pertinent episodes of the series will be viewed, the primary script read, and the series analyzed. The class will conclude with each student engaging in an analysis utilizing one of the approaches from the class.
Repeatable: Y Formerly 40-3238 Prerequisites TELE 212 Television Arts: Writing Minimum Credits 1 Maximum Credits 1
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TELE 420 Master Workshop Narrative: Writing In this advanced workshop, students will serve as writers for a departmentally produced narrative television pilot (network/cable series, web series, or online TV series). In the fall semester, the writing students will develop, pitch and write their own original ½ hour pilot script. All scripts will be work-shopped and read aloud weekly in a writer’s table story conference procedure. At the end of the fall semester, one of these pilot scripts will be chosen for production in the spring semester. Although only one will be produced, all students will complete and polish an original series pilot as a portfolio piece or to be entered into script competitions.
Repeatable: Y Formerly 40-3222 WI Prerequisites TELE 310 Writing for Television and ENGL 122 International Writing and Rhetoric II or TELE 310 Writing for Television and ENGL 112 Writing and Rhetoric II Minimum Credits 4 Maximum Credits 4
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TELE 421 Master Workshop Narrative: Pre-Production Course requires that students in this advanced producing workshop work on preproduction for the Television Program’s annual television pilot, to be produced in the Spring by the Master Workshop Narrative: Producing & Directing courses. Students will work on budgets, casting plans, location scouting, legal, script breakdowns, and other processes necessary to prepare for a major production of a television pilot. Students are highly encouraged to register for the Master Workshop Narrative: Producing course in the spring.
Repeatable: Y Formerly 40-3225J Prerequisites TELE 125 Television Arts: Production and TELE 210 The Television Producer Minimum Credits 1 Maximum Credits 1
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TELE 422 Master Workshop Narrative: Producing In this advanced workshop, students will serve as producers for a departmental narrative program (television pilot, web series, or other form). Student producers in this course collaborate with student directors on an original television program, shot on location. Students producers will be responsible for all phases of producing including scheduling, budgeting, locations selection, auditions, and production management.
Repeatable: Y Formerly 40-3226 Prerequisites TELE 210 The Television Producer and TELE 325 Television Arts: Directing and TELE 330 Production and Editing II Minimum Credits 4 Maximum Credits 4
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TELE 423 Master Workshop Narrative: Directing & Production In this advanced workshop, students will serve as directors and crew for a departmental narrative program (television pilot, web series, or other form). Students will work with actors and producers to shoot a narrative program on location. All phases of single camera location shooting will be covered, including directing, staging, lighting, sound, and camera.
Repeatable: Y Formerly 40-3325 Prerequisites TELE 325 Television Arts: Directing and TELE 330 Production and Editing II Minimum Credits 4 Maximum Credits 4
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TELE 425 Advanced Post-Production: Prime Time In this advanced level post-production course, student editors work in teams with producers, directors, and / or writers to edit departmental programs including sketch comedy programs and sketches, TV pilots, web series, and music programs. The course emphasizes professional processes, procedures and work flows.
Repeatable: Y Formerly 40-3424D Prerequisites ANIM 270 Motion Graphics I and TELE 360 Post-Production Bootcamp: Avid Techniques Minimum Credits 4 Maximum Credits 4
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TELE 430 Master Workshop Sketch Comedy: Writing This advanced course is designed to teach the skills needed to write proficiently within the popular television genre of sketch comedy. Students will develop, pitch and write original sketches and commercial parodies. The sketch ideas will be pitched, improvised, drafted, read, reviewed, and revised step by step, in a classic writer’s table story conference procedure before moving on to the rehearsal and production process. Students will collaborate closely with the students and instructors of the Production, Editing and Producing courses. The end product of this collaboration, an original set of digital short sketches in the fall and FreqOut LIVE in the spring.
Repeatable: Y Formerly 40-3230 Prerequisites TELE 310 Writing for Television and TELE 212 Television Arts: Writing Minimum Credits 4 Maximum Credits 4
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TELE 431 Producing Sketch Comedy In this advanced workshop, students will serve as producers for one the Television Program’s sketch comedy content. Students will have the opportunity to experience all phases of collaborative producing, from concept development through finished program.
Repeatable: Y Formerly 40-3239 Prerequisites TELE 210 The Television Producer and TELE 330 Production and Editing II Minimum Credits 4 Maximum Credits 4
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TELE 432 Master Workshop Sketch Comedy: Directing & Product Advanced course further develops directing skills specifically for live performance, utilizing larger studio facilities and creating more sophisticated productions. The students will be required to produce and direct variety show productions that approach professional broadcast and commercial levels.
Repeatable: Y Formerly 40-3312 Prerequisites TELE 330 Production and Editing II and TELE 325 Television Arts: Directing Minimum Credits 4 Maximum Credits 4
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TELE 440 Writing the Television Pilot: Writing the Television Pilot: is an advanced level writing class devoted to the development and writing of a TV pilot script(s). The first part of the class will be spent examining the unique qualities and responsibilities of a TV pilot: to introduce plot, story, character, relationships and mystery. The second half of the class will be spent pitching ideas, developing, work shopping, and table reading multiple drafts the student’s original pilot script. The class would conclude with the completion of a full-length pilot script(s). This is a rotating subject course.
Repeatable: Y Formerly 40-3241 Prerequisites TELE 310 Writing for Television or CINE 145 Screenwriting I: Writing the Short Film Minimum Credits 3 Maximum Credits 3
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TELE 445 Directing and Production: Special Projects Advanced class teaches students studio and field production skills in a topics-specific setting. Students gain directing experience in one or more of the following contexts: multiple camera studio production, single camera field directing, remote multi-camera directing, music programming, or specialty television production. The course will culminate in the creation of an advanced-level television program in conjunction with other disciplines and departments. Emphasis is placed upon pre-planning, meeting deadlines, and performance of a wide range of crew duties, including directing.
Repeatable: Y Formerly 40-3318 Prerequisites TELE 325 Television Arts: Directing Minimum Credits 4 Maximum Credits 4
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TELE 451 Fictional Documentary Advanced video production workshop course explores the line that separates documentary and narrative media. Students in the class will examine the works of documentarians who are using fictional elements and narrative techniques in their work to call into question concepts of truth and reality and to expand the definition of documentary. Concepts covered include narrative shooting and editing techniques, research, scripting, recreations, and working with actors and subjects. Each student will produce a video project that has factual and fictional elements and that challenges the traditional definition of documentary.
Repeatable: Y Formerly 40-3327 Prerequisites TELE 367 Experimental Production and Editing or TELE 371 Narrative Production and Editing or TELE 372 Documentary Production and Editing Minimum Credits 3 Maximum Credits 3
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TELE 480 Branded Entertainment Practicum In this cross-disciplinary course, students will gain an invaluable production, branding and social media strategy experience, in addition to working on a real client project. They will partner with a local small business owner and develop, produce and launch an online branded entertainment video series. The semester will start with an overview of best practices in branded entertainment in the digital age. Successful projects will be screened and discussed. All students will research local businesses and brainstorm how an online video series could help them find the right audience, energize customers or create a conversation surrounding their product or service. One local business will be selected and the class as a group will partner with the owner in creating a branded entertainment online video series. Through a series of brainstorming sessions and pitches students and the business owner will develop a show idea, and a social media strategy for its distribution. In the second half of the semester students will work on pre-production, production, post-production and distribution of a 3-part branded online video series.
Repeatable: N Formerly 40-3242 Prerequisites TELE 210 The Television Producer and TELE 330 Production and Editing II Minimum Credits 3 Maximum Credits 3
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TELE 483 Writers’ Roundtable in LA This course builds and emphasizes the students’ skills for the development of an appropriate storyline for the one-hour format. Students explore a variety of television genres and ultimately write a finished television script utilizing the current computer software programs for professional screenwriting.
Repeatable: Y Formerly 40-3820L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 484 Pitching Series Concept in LA This course enables students participating in the L.A. program to have the opportunity to learn and practice the fine art of the pitch, first in the classroom environment and finally to prominent television writers, agents, and producers.
Repeatable: Y Formerly 40-3821L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 485 Conceiving & Writing the Show Bible in LA This course enables students to develop and write a rudimentary show bible for a one-hour program in a genre of their choice. Focus will be on the process of positioning the show for the current market situation.
Repeatable: N Formerly 40-3822L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 486 Analyzing Dramatic Structure This course enables students to analyze a variety of one-hour episodic dramas currently in production. A variety of speakers from the industry will illuminate the shows, describing how they were developed, written, and produced.
Repeatable: N Formerly 40-3823L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 487 Analyzing Structure SitCom LA This course enables students to analyze a variety of situation comedies currently in production. A variety of speakers from the industry will illuminate the shows, describing how they were developed, written, and produced.
Repeatable: N Formerly 40-3824L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 488 Conceiving and Writing the Situation Comedy Show B This course enables students to develop and write a rudimentary show bible for a situation comedy. Focus will be paid to the process of positioning a show for current market situation.
Repeatable: N Formerly 40-3825L Prerequisites TELE 210 The Television Producer Requirements Permission Required (DP) Minimum Credits 3 Maximum Credits 3
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TELE 495 Directed Study: Television Course consists of learning activities involving student independence within the context of regular guidance and direction from a faculty advisor. Directed Studies are appropriate for students who wish to explore a subject beyond what is possible in regular courses or for students who wish to engage in a subject or activity not otherwise offered that semester by the College. Directed Studies involve close collaboration with a faculty advisor who will assist in development and design of the project, oversee its progress, evaluate the final results, and submit a grade.
Repeatable: Y Formerly 40-3796 Minimum Credits 1 Maximum Credits 6
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TELE 496 Independent Project: Television Course is an independent project designed by the student, with the approval of a supervising faculty member, to study an area that is not at present available in the curriculum. Prior to registration, the student must submit a written proposal that outlines the project.
Repeatable: Y Formerly 40-3798 Requirements Permission Required (DP) Minimum Credits 1 Maximum Credits 6
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THEA 101 Acting Basic Skills for Non-Theatre Majors This course teaches the discipline of acting through physical, vocal, and improvisational exercises. Course uses some text work consisting of short scenes and monologues from plays to teach beginning actors awareness of their own and others’ needs on stage.
Repeatable: N Formerly 31-1200 Minimum Credits 3 Maximum Credits 3
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THEA 103 Voice for Non-Theatre Majors This course is an introduction to the vocal mechanism used in the production of an effective and flexible voice for the stage. Students will learn fundamentals of breathing, resonation, projection, and articulation. Vocal technique will be applied to readings and presentations of theatre monologues. Students will learn a vocal warm-up, record, memorize, and perform. The theory of voice and speech will be addressed in a text chosen for the course.
Repeatable: N Formerly 31-1300 Minimum Credits 3 Maximum Credits 3
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THEA 104 Movement for Non-Theatre Majors Students develop a more conscious and able body and improve their facility to transform themselves in their craft as an actor. Coursework focuses on breath, the interconnectedness of the body and mind, and how the body communicates with intention in time and space. The class becomes an ensemble where the exchange of energy and ideas is open and dynamic. Students build physical strength and stability as an ensemble in class and out of class through individual personal practice.
Repeatable: N Formerly 31-1305 Minimum Credits 3 Maximum Credits 3
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THEA 110 Improvisational Techniques I This course is a study of improvisation that is rooted in Viola Spolin’s work. Students will work individually, in small groups, and as a single ensemble to experience the process of improvising on stage. Improvisational concepts such as give and take, surrender, support, mirror, explore and heighten, environment, object work, scenic structure, beats and editing, character and choices, will be explored in depth and applied in scenes.
Repeatable: N Formerly 31-1210 Prerequisites THEA 111 Theatre Foundation I: Theatre Making or THEA 101 Acting Basic Skills for Non-Theatre Majors Minimum Credits 3 Maximum Credits 3
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THEA 111 Theatre Foundation I: Theatre Making Theatre Foundation I: Theatre Making invites incoming students into their role as creative practitioners. Students investigate the elements and principles of artistic process that can be applied to all aspects of theatre making. The course develops students’ awareness, observation and collaborative skills, and their ability to transpose experiences in the world into visual, written, vocal and physical form. Readings, composition work in class and attendance at Columbia College Chicago productions and in the city of Chicago deepens students’ understanding and appreciation of the scope of contemporary theatre making practices.
Repeatable: N Formerly 31-1251 Minimum Credits 6 Maximum Credits 6
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THEA 112 Theatre Foundation II: Performance In ‘Theatre Foundation II: Performance’ students will explore presence, the audience/performer relationship and how to shape time, space and energy in work with scripted and devised material. This course is a continuation of Theatre Foundation I and provides a strong foundation for the performer through an integrated study of movement and voice, ensemble and performance. Students will investigate dramatic story telling by exploring the relationship between text and character and in working on monologues and two person scenes.
Repeatable: N Formerly 31-1252 Prerequisites THEA 111 Theatre Foundation I: Theatre Making or THEA 120 Comedy Foundations I: Ensemble and Discovery or THEA 141 Musical Theatre Foundations Minimum Credits 6 Maximum Credits 6
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THEA 113 Feldenkrais: Awareness through Movement Course is based on Moshe Feldenkrais Awareness through Movement lessons. Through select breathing and movement sequences, students learn new vocal patterns and make spontaneous acting choices beyond habitual movement. Movement sequences are light and easy and may be accomplished by anyone regardless of age or physical limitations.
Repeatable: Y Formerly 31-1310 Minimum Credits 3 Maximum Credits 3
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THEA 115 Speaking Out This interactive performance based course is a workshop format for exploring the dynamics of communication and the skills necessary to become an effective speaker, influencer, and listener. Students will develop and deliver a variety of types of public presentations with strong emphasis placed on increasing vocal skills, body awareness, presentation and interpersonal skills. Regular presentations, listening, critical thinking, feedback, and group discussion are an integral part of the course. This course fulfills the LAS (Liberal Arts and Sciences) SP (Speech) requirement.
Repeatable: N Formerly 31-1350 SP Minimum Credits 3 Maximum Credits 3
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THEA 120 Comedy Foundations I: Ensemble and Discovery In this course students investigate the elements and principles of process that can be applied to all aspects of comedy creation. The course develops students’ awareness, observation and collaborative skills, and their ability to transpose experiences in the world into visual, written, vocal and physical form. Readings, composition work, writing work in class and attendance at Columbia College Chicago productions and in the city of Chicago deepens understanding and appreciation of the scope of contemporary comedy practices.
Repeatable: N Formerly 31-1253 Co-requisites THEA 124 Comedy Survey I Minimum Credits 4 Maximum Credits 4
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THEA 121 Comedy Foundations II: Point of View and Performance In this course students explore and hone their personal point of view and experience and apply that perspective to a variety of comic writing and performance modes that include improvisation, text work, clown, commedia, and standup/solo performance.
Repeatable: N Formerly 31-1254 Co-requisites THEA 125 Comedy Survey II Minimum Credits 4 Maximum Credits 4
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THEA 123 Basics of Comedy Basics of Comedy provides active experience in a specific topic within the realm of comedy writing or performance. Topics rotate providing comedy majors with multiple opportunities to experience a variety of disciplines during their freshman year.
Repeatable: Y Formerly 31-1301 Minimum Credits 1 Maximum Credits 1
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THEA 124 Comedy Survey I This course invites incoming students into their role as creative practitioners in the realm of comedy. Students will investigate the question of what makes us laugh and why through a series of readings, screenings, lectures and discussions. Students will be introduced to core ideas, conventions of comedy across media, and Chicago area industry professionals who practice comedy in a variety of formats.
Repeatable: N Formerly 31-1263 Minimum Credits 2 Maximum Credits 2
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THEA 125 Comedy Survey II This course builds on Comedy Survey I. Students will investigate the role of comedy in society in the areas of satire, taboo, risk, stereotype and archetype through a series of readings, screenings, lectures and discussions.
Repeatable: N Formerly 31-1264 Prerequisites THEA 124 Comedy Survey I Minimum Credits 2 Maximum Credits 2
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THEA 126 Introduction to Auditioning A series of foundational lectures, demonstrations and applications in the techniques of auditioning for performance in a variety of media: live theatre, film, television and voice over. Preparation and selection of material and audition protocol are course outcomes.
Repeatable: N Formerly 31-1690 Minimum Credits 1 Maximum Credits 1
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THEA 131 Theatrical Firearm Safety A J-Term class for actors, stage managers, and technicians culminating in a basic certification exam with the Society of American Fight Directors.
Repeatable: Y Minimum Credits 1 Maximum Credits 1
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THEA 133 Makeup Techniques: This repeatable makeup techniques (“Character/Aging” or “Beauty/Fashion”) course focuses on makeup vocabulary, materials/tools, & skills suitable for incorporation into a wide variety of media types. Research, discussion, demonstrations, & materials acquisition/experimentation combine with hands-on experience as a means to develop their painting, color mixing & blending, & contouring skills. Continuous respect to skin care, color theory, lighting concerns, & makeup kits (for the makeup artist, performer, & hobbyist alike) are covered. Course sections complement each other &/or may be taken individually.
Repeatable: Y Formerly 31-1680 Minimum Credits 3 Maximum Credits 3
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THEA 135 Introduction to Basic Makeup This short course covers a brief introduction to the most common makeup applications known as the “no-makeup look” & “Corrective” techniques. Focus is geared towards skin care & appropriate color choices to match &/or enhance the student’s skin tone & appearance. Introductory vocabulary & Designer/Performer communications; materials appreciation & acquisition; & painting/contouring skills will be covered through discussion, demonstrations, & hands-on experience. This course will introduce the performer, budding designer &/or hobbyist alike to feel comfortable utilizing these simplified techniques as needed. For more in-depth makeup techniques/designs, consider one of other course offerings.
Repeatable: N Formerly 31-1605 Minimum Credits 1 Maximum Credits 1
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THEA 140 Musical Theatre History Required for Musical Theatre/Musical Theatre Performance majors, also open as elective to students in other majors. Course examines musical theatre history from beginnings through ‘The Golden Age’ of American song and the American musical to the present. Students study key figures, songs and shows in musical theatre, as well as social and cultural factors that influenced the form. Course develops research and critical thinking skills through reading and discussion of textbook, audio/visual presentations, essays, research projects, and tests.
Repeatable: N Formerly 31-1400 Prerequisites ENGL 112 Writing and Rhetoric II or ENGL 112H Writing and Rhetoric II: Honors or ENGL 122 International Writing and Rhetoric II Minimum Credits 3 Maximum Credits 3
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THEA 141 Musical Theatre Foundations Musical Theatre (MT) Foundations invites incoming students into their role as creative practitioners of Musical Theatre. Students investigate the elements and principles of artistic process that can be applied to all aspects of creating musical theatre. The course aims to develop students’ awareness, observation and collaborative skills, and their ability to transpose experiences in the world into written, vocal and physical form. Production numbers exploring basic style and genre will be major projects. Readings, composition work in class and attendance at Columbia College Chicago productions (and perhaps in the city of Chicago), should deepen students’ understanding and appreciation of the scope of contemporary musical theatre making. Course will meet in a five-week sub session.
Repeatable: N Concurrent Requisite MUSC 107 Fundamentals of Musical Theatre Singing and THEA 143 Musical Theatre Dance I or MUSC 107 Fundamentals of Musical Theatre Singing and THEA 147 Musical Theatre Dance for the Singer/Actor Minimum Credits 1 Maximum Credits 1
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THEA 143 Musical Theatre Dance I This course is a practical approach to the basic techniques of musical theatre dance required of Musical Theatre majors at the beginning level. Each class will include ballet and jazz dance terminology, basic floor combinations, and a variety of musical theatre dance styles. Students are offered a focused approach to develop performance skills and demonstrate improved flexibility, musicality and strength in ballet and jazz techniques. Students will be introduced to musical theatre dance combinations and professional musical theatre audition procedures.
Repeatable: Y Formerly 31-1430 Co-requisites THEA 101 Acting Basic Skills for Non-Theatre Majors or THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 2 Maximum Credits 2
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THEA 145 Beginning Musical Theatre Tap This course is designed to develop dance technique and repertoire within the specialized styles of musical theatre tap and required of majors at the beginning level. Each class will include tap terminology, rhythm progressions, and Broadway style tap combinations. Students are offered a focused approach to develop performance skills and demonstrate improved flexibility, strength, and the ability to execute basic rhythm sequences. Students will be introduced to tap dance combinations and professional musical theatre audition procedures.
Repeatable: Y Formerly 31-1431 Prerequisites THEA 143 Musical Theatre Dance I Minimum Credits 2 Maximum Credits 2
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THEA 147 Musical Theatre Dance for the Singer/Actor This course emphasizes dance terminology and basic techniques necessary at an introductory level. Executing basic dance terminology will be the focus of this course along with attention to proper nutrition and injury prevention. Students will apply terminology in basic floor combinations in a variety of musical theatre dance styles. Each class session will include strengthening exercises to improve flexibility, conditioning and technique in ballet, jazz and tap. No prior dance training is necessary.
Repeatable: N Formerly 31-1435 Minimum Credits 2 Maximum Credits 2
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THEA 150 Prod Tech: Crew This course requires that students work as backstage crew for Theatre Department productions. Students gain understanding of behind-the-scenes labor that supports on-stage performance. Participants also get the opportunity to observe nuance and change in live performance as it occurs over several performances. Time is required outside of class.
Repeatable: N Formerly 31-1500 Minimum Credits 2 Maximum Credits 2
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THEA 151 Prod Tech: Stagecraft This course introduces students, through lecture and hands-on experience, to fundamentals of costume construction, scenery construction and design, and technical aspects of stage lighting.
Repeatable: N Formerly 31-1505 Minimum Credits 3 Maximum Credits 3
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THEA 152 Aesthetics for Theatre Makers Each text, written or devised, invites the theatre artist to create the world of the piece; unique to the specific needs of each show. Students will explore the development of a vision and intention for theatrical production. They will investigate their own world view and implicit bias, as well as exploring those of others. They will practice applying an aesthetic to a variety of theatre pieces in collaborative teams of makers-writers, directors, designers, managers, and technicians - working as equals in the creation of a physical world.
Repeatable: N Prerequisites THEA 111 Theatre Foundation I: Theatre Making or THEA 120 Comedy Foundations I: Ensemble and Discovery or THEA 141 Musical Theatre Foundations Minimum Credits 3 Maximum Credits 3
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THEA 157 Rendering for Theatre I This course introduces figure drawing, color, light and shadow, and a variety of rendering materials and techniques. Coursework focuses on rendering of costumes, stage lighting effects, and sets.
Repeatable: N Formerly 31-1515 Minimum Credits 3 Maximum Credits 3
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THEA 158 Scene Painting Course is an introduction to and practical application of processes, materials, and techniques used in painting theatrical scenery. Students study color theory, the inter-relationship of additive and subtractive mixing, and the manipulation of two-dimensional space through the use of form and color.
Repeatable: N Formerly 31-2515 Prerequisites THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 3 Maximum Credits 3
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THEA 159 Drafting for Theatre This course introduces mechanical drawing techniques as applied to the performing arts. Students learn to create clear, accurate drawings to be used for the design and construction of scenery, and the preparation and implementation of a lighting design. Course is recommended for those interested in the visual design elements of performing arts.
Repeatable: N Formerly 31-1510 Minimum Credits 3 Maximum Credits 3
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THEA 160 Set Design I This course will introduce the student to the art of Set Design. Focusing on the synthesis of text and space, students will learn to understand spatial relationships in the theatre, actor to actor, audience to actor. They will learn to manipulate the emotional and visual space of the theatre. The students will be introduced to the process of designing scenery for the stage.
Repeatable: N Formerly 31-1610 Prerequisites THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 3 Maximum Credits 3
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THEA 161 Introduction to Scenic Construction This course is a basic introduction to the construction of an interior architectural set. The class will focus on building basic set elements from raw material, and assembling these elements to form a theatrical set. Health and safety in the workplace will also comprise a substantial section of the course. During the course of the semester, students will work with reading and interpreting ground plans and drawings; using basic shop and power tools for the construction of flats and platforms; planning and assembling simple sets; and analyzing the construction of sets both on campus and in the professional world.
Repeatable: N Formerly 31-1530 Minimum Credits 3 Maximum Credits 3
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THEA 162 Costume Design I An entry level class that introduces the student to costume and fashion history and the use of costume in the current world of theatre. Students will study costume as an art, discussing topics such as collaboration, parsing a script, style, color, character and other topics which illuminate the function of costume in theatre, film and television. The class will also discuss the business aspects of Costume Design.
Repeatable: N Formerly 31-1615 Prerequisites THEA 111 Theatre Foundation I: Theatre Making or FASH 170 Fashion Foundations Minimum Credits 3 Maximum Credits 3
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THEA 163 Introduction to Costume Construction This course provides introduction to Costume Shop techniques and procedures. Through assigned projects, students learn basic machine and hand-sewing techniques, pattern development with special emphasis on drafting and draping, and all aspects of costume building from rendering to finished project. Content provides overview of related subjects such as millinery, costume props, and formal wear.
Repeatable: N Formerly 31-1525 Minimum Credits 3 Maximum Credits 3
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THEA 164 Introduction to Lighting Technologies This basic skills course addresses primary information for those interested in the art of stage lighting. Instruction includes purposes, allied techniques, equipment terminology, use of color, and fundamental drafting.
Repeatable: N Formerly 31-1520 Minimum Credits 3 Maximum Credits 3
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THEA 165 Lighting Design I This course will introduce students to the artistic side of creating a live entertainment lighting design, focusing on its application in the theatre. Students will explore the use of light as tool to create space, emphasis, and rhythm in performance. This class will emphasize the artistic process of theatrical lighting design. The emphasis will be on honing our ability to see and experience light and then use it to create a theatrical design, including conceiving the design idea and communicating it to others. They will explore theatrical texts and how to connect the text to the design idea. The focus will be on exploring how light creates and enhances a physical environment.
Repeatable: N Formerly 31-1620 Prerequisites THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 3 Maximum Credits 3
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THEA 168 Playwriting I This course is an introduction to the basic techniques of structure and dialogue in playwriting. Students will learn basic character development, dialogue and structure, and to identify dramatic events through the writing of scenes, ten-minute, and one-act plays.
Repeatable: N Formerly 31-2800 Minimum Credits 4 Maximum Credits 4
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THEA 181 Introduction to Theatre in Chicago This course requires that students attend three theatre productions in Chicago and discuss productions with some of the artists who created them. Students discuss theatre in Chicago with other leaders in the profession, including administrators, producers, and critics.
Repeatable: N Formerly 31-2970 Minimum Credits 1 Maximum Credits 1
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THEA 203 Voice for the Actor Techniques for respiration, phonation, resonation, projection and articulation are explored. Skills in pronunciation and variety and expression are introduced. Technical knowledge is demonstrated in contemporary and classical monologues from theatrical repertoire. Students learn a vocal warm-up, record, memorize and perform. An extended study of voice and speech for the stage is addressed in a text chosen for the course.
Repeatable: N Formerly 31-2300 Prerequisites THEA 103 Voice for Non-Theatre Majors and THEA 101 Acting Basic Skills for Non-Theatre Majors or THEA 112 Theatre Foundation II: Performance Minimum Credits 3 Maximum Credits 3
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THEA 204 Movement for the Actor Students continue the study of the actor’s physical instrument. Working as an ensemble and through personal practice outside of class, students expand physical strength and stability, and the interconnection of voice and body, emotion and body, mind and body.
Repeatable: N Formerly 31-2305 Prerequisites THEA 112 Theatre Foundation II: Performance Minimum Credits 3 Maximum Credits 3
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THEA 208 Intro to Performance Studies This class is an introductory exploration of performance and of drama as a theory and practice. Students learn the fundamentals of performance, including performance outside of the theatre, how performance can incite dialogue which may inspire sociopolitical change and investigate how ideologies affect, race, gender, sexuality, class, technology and citizenship are articulated. These goals will be approached through a survey of scholarship, performances, and application activities.
Repeatable: N Formerly 31-3121 Prerequisites ENGL 122 International Writing and Rhetoric II or ENGL 112 Writing and Rhetoric II or ENGL 112H Writing and Rhetoric II: Honors Minimum Credits 3 Maximum Credits 3
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THEA 210 Improvisational Techniques II This course bridges the gap between improvised and scripted work by focusing on an approach to acting through improvisation. Content includes study in performance skills, Second City techniques, characters, playing, and improvisational games based on the teachings of Viola Spolin.
Repeatable: N Formerly 31-2210 Prerequisites THEA 110 Improvisational Techniques I or THEA 121 Comedy Foundations II: Point of View and Performance Minimum Credits 3 Maximum Credits 3
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THEA 221 Comedy: Theory Students are exposed to theories of comedy and an overview of the building blocks of popular comedy throughout history. They analyze comedic texts and performances in a variety of media. Students look at how comedy reflects the concerns of society. They discuss their own responses to current events and issues as preparation to creating satiric work. This course is part of the Comedy Foundation which provides an introduction to both the theory and practice of comedy.
Repeatable: N Formerly 31-2101 Prerequisites THEA 112 Theatre Foundation II: Performance or THEA 125 Comedy Survey II Concurrent Requisite THEA 223 Comedy: Writing and Performance Minimum Credits 2 Maximum Credits 2
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THEA 223 Comedy: Writing and Performance Students actively explore a variety of approaches to creating and performing comedic and satirical work. Throughout the term, projects require a combination of research, written work, and oral presentations, as well as creative writing and performance work. This course is part of the Comedy Foundation which provides an introduction to both the theory and practice of comedy.
Repeatable: N Formerly 31-2102 Prerequisites THEA 112 Theatre Foundation II: Performance or THEA 125 Comedy Survey II Concurrent Requisite THEA 221 Comedy: Theory Minimum Credits 2 Maximum Credits 2
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THEA 227 VectorWorks for the Performing Arts This course provides students with a thorough introduction into computer aided design with a focus on theatrical uses for VectorWorks. By using hands-on exercises, assignments, and projects, students will gain the capacity to create and distribute industry standard (USITT) theatrical drawings and light plots. The student will learn basic drawing tools and techniques for completing theatrical drawings and light plots. The course will cover page layout and printing techniques. This course is recommended for lighting designers. Student access to the computer lab is available to complete assignments outside of class.
Repeatable: N Formerly 31-2522 Prerequisites THEA 159 Drafting for Theatre Minimum Credits 3 Maximum Credits 3
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THEA 231 Stage Combat II This course offers continued study of safe and realistic violence for the stage and screen. The emphasis is on Advanced Unarmed and Rapier and Dagger; new weapon skill- Broadsword added. Midterm scenes will be performed in the classroom. Final scenes will be performed on the main stage during Performance Week. Adjudication of Skills Proficiency by a Fight Master of the Society of American Fight Directors and the British Academy of Stage and Screen Combat will be integrated into the final performances.
Repeatable: N Formerly 31-2316 Prerequisites THEA 230 Stage Combat I Minimum Credits 3 Maximum Credits 3
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THEA 232 Fighting for Film In Fighting for Film you will learn to create and perform basic stunt work by creating the illusion of violence for the screen while working with a stunt Coordinator. Basic instruction in Unarmed, Club, and Knife fighting performed in front of the camera to emphasize the differences of working in film vs. Theatre. Safe and realistic violence for the screen is the emphasis of this class while working on a film set setting.
Repeatable: Y Formerly 31-2317J Prerequisites THEA 231 Stage Combat II Minimum Credits 1 Maximum Credits 1
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THEA 233 Sound Design This introductory course provides an overview of concepts, processes, and tools involved in sound design for contemporary theater. The course will cover: the history of sound design, design conceptualization, relationships to text and action, collaboration and production protocols, and audio production tools and processes. Course activities will mix lecture/demonstration with practical projects. Students will learn and practice basic operations with digital audio production and sound playback computer software. By the end of the course students will be able to design, construct and deliver simple playback based sound designs. A personal computer, preferably Macintosh, running either Pro Tools (recommended), Reaper or Audacity is required for this course. Students are also encouraged to purchase a portable digital audio recorder.
Repeatable: N Formerly 31-2612 Prerequisites THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 3 Maximum Credits 3
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THEA 235 Makeup Design This interdepartmental course combines critical analysis, collaboration, & discussion skills to facilitate incorporation of a student’s interests (with/without any current makeup skillsets/techniques) pertaining to Makeup Design. Students gain an understanding of the practical aspects of pre-production, production, & post-production design phases for a variety of media types. Hands-on experiences (applied on themselves & others) include collaborations with TV’s FreqOut & additional scripts/projects. This will develop research, design, presentation & management skills as a means to enhance the student’s individual “artistic voice” necessary for this, or any other, career field.
Repeatable: N Formerly 31-2680 Minimum Credits 3 Maximum Credits 3
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THEA 237 Advanced Makeup for the Performer This course furthers the actor’s knowledge of materials and techniques that can be used in the creation of characters. More advanced materials will be introduced and practiced in class. Topics such as latex, wigs, and pre-made prosthetics will be covered. Unique designs such as stylized designs and animals will also be covered. Research and design will continue to be a focal point of the course.
Repeatable: N Formerly 31-2605 Prerequisites THEA 135 Introduction to Basic Makeup Minimum Credits 3 Maximum Credits 3
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THEA 243 Musical Theatre Dance II This course is designed to expand the technical skills in musical theatre dance styles required of Musical Theatre majors at the intermediate level. Each class will include ballet and jazz dance terminology, floor combinations, a variety of musical theatre dance styles and mock auditions. Students are challenged with more complicated material, and greater demands are placed on speed of learning and retention of choreography for audition purposes. Significant attention is paid to audition practices and professional discipline.
Repeatable: Y Formerly 31-2430 Prerequisites THEA 143 Musical Theatre Dance I Minimum Credits 2 Maximum Credits 2
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THEA 245 Intermediate Musical Theatre Tap This course is designed to develop technique, performance, and repertoire within the specialized styles of musical theatre tap required of Musical Theatre majors at the intermediate level. Each class will include tap terminology, rhythm progressions, Broadway style tap combinations, and mock auditions. Emphasis will be placed on speed of learning and retention of choreography for audition purposes. Significant attention is paid to audition practices and professional discipline.
Repeatable: Y Formerly 31-2431 Prerequisites THEA 145 Beginning Musical Theatre Tap Minimum Credits 2 Maximum Credits 2
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THEA 247 AUTOCAD for the Performing Arts Course provides students with a thorough introduction to computer aided design with a focus on theatrical uses for AutoCAD. With hands on exercises, assignments, and projects students should gain the capacity to create and distribute industry standard (USITT) theatrical drawings that mimic hand drafting. This course is recommended for scenic designers.
Repeatable: N Prerequisites THEA 159 Drafting for Theatre Minimum Credits 3 Maximum Credits 3
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THEA 250 Character & Ensemble This course helps students develop several different characters through work on varied scenes requiring an ensemble style among actors on stage. Some sections include a performance unit on camera fundamentals; other sections may include work on a devised piece. Instruction focuses on stage concentration in the give-and-take situation of three or more actors on stage at the same time. Large cast scenes are presented during performance weeks.
Repeatable: N Formerly 31-2205 Prerequisites THEA 207 Scenes: Performance & Analysis and THEA 203 Voice for the Actor or THEA 240 Musical Theatre Scene Study and THEA 203 Voice for the Actor Minimum Credits 4 Maximum Credits 4
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THEA 251 Accents and Dialects This course asks students to examine and practice the 10 most commonly used English and foreign language dialects encountered in English-speaking theatre. Content emphasizes technical aspects of dialect, such as vowel and consonant pronunciation, lilt, rhythm, and vocabulary, and how they affect a theatrical character’s personality.
Repeatable: Y Formerly 31-2325 Prerequisites THEA 112 Theatre Foundation II: Performance or THEA 103 Voice for Non-Theatre Majors or RADI 105 Voice and Articulation Minimum Credits 3 Maximum Credits 3
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THEA 254 Stage Management I This lecture/demonstration course meets three hours per week in addition to required time spent working on a theatre production. The course will introduce students to the practices and techniques of Stage Management in the professional theatre. Students will assist an advanced stage manager on a project throughout the course of the semester. Regular availability on evenings and weekends is required.
Repeatable: N Formerly 31-1540 Prerequisites THEA 111 Theatre Foundation I: Theatre Making Minimum Credits 3 Maximum Credits 3
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THEA 255 Production Management This advanced course is designed to build upon the students skills as designers, stage managers, or technicians in order to provide the ability and insight to serve in a supervisory capacity for theatrical productions. Students will learn broad management techniques as well as perform industry specific assignments intended to cultivate an understanding of the technical, financial, logistical, and staffing demands of a professional production.
Repeatable: N Formerly 31-3550 Prerequisites THEA 254 Stage Management I or THEA 267 Directing II Minimum Credits 3 Maximum Credits 3
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THEA 257 Auditioning for Improvisation This course covers the basics of professional conduct and preparation to audition for The Second City and other improvisation oriented audition situations.
Repeatable: N Prerequisites THEA 110 Improvisational Techniques I Minimum Credits 1 Maximum Credits 1
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THEA 260 Set Design II This course teaches methods of approaching, developing and completing scenic designs. Students will be focusing on developing their ability to convey their designs so that they could be produced. These skills include; through script analysis, detailed research, sketching, rendering, model making and drafting. Students will also be working on the set for one realized student production during the course of the semester.
Repeatable: Y Formerly 31-2610 Prerequisites THEA 159 Drafting for Theatre and THEA 160 Set Design I and THEA 157 Rendering for Theatre I and THEA 161 Introduction to Scenic Construction Minimum Credits 3 Maximum Credits 3
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THEA 261 Scenic Construction II This course is an advanced examination of set construction, emphasizing the procedures for construction of large, intricate theatrical sets. Students will learn to use advanced shop tools and materials to construct scenic elements such as step units and irregular flats. The assembly of complex sets will be covered, both in terms of structure and set dressing. Students will be introduced to the terminology of theatrical architecture and mechanics.
Repeatable: Y Formerly 31-2510 Prerequisites THEA 161 Introduction to Scenic Construction and THEA 160 Set Design I Minimum Credits 3 Maximum Credits 3
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THEA 265 Lighting Design II This course explores the synthesis of Lighting Design and Lighting Technologies, exploring how to use the specialized equipment to create the lighting idea. The focus is on creation of light plots and paperwork and will expand the theoretical design idea into a production based plan. Each student will design a project in the Theatre department as part of this class.
Repeatable: Y Formerly 31-2620 Prerequisites THEA 164 Introduction to Lighting Technologies and THEA 165 Lighting Design I and THEA 227 VectorWorks for the Performing Arts Minimum Credits 3 Maximum Credits 3
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THEA 267 Directing II With instructor approval, this course asks students to select one act of less than 45 minutes to direct. Students cast play from the Theatre Department student body, direct the play, and mount four performances in the Classic Studio. Rehearsals are held outside class hours and are determined by director and cast. All areas of directing are discussed among students and instructors with occasional guest directors, actors, and designers. Students will direct a one-act play.
Repeatable: N Formerly 31-2750 Prerequisites THEA 266 Directing I and THEA 481 Stage Management Practicum and THEA 205 Text Analysis Concurrent Requisite THEA 484 Directing Practicum Minimum Credits 3 Maximum Credits 3
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