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	• 31-3810 Solo Performance I
	• 31-3812 CRW: Page to Stage
	• 31-3890 Writing Comic Scenes
	• 31-3891 Acting IV
	• 31-3892 Acting IV: Application to Performance
	• 31-3900 Professional Survival and How to Audition
	• 31-3905 Creating a Career in Tech and Design
	• 31-3925 Audition Workshop
	• 31-3926 Advanced Audition Techniques for Musical Theatre
	• 31-3975L An Actor’s Guide to Hollywood
	• 31-3975LJ An Actor’s Guide to Hollywood
	• 31-3988 Internship: Theatre
	• 31-3999 Independent Project: Theatre
	• 32-1000 Recital Attendance
	• 32-1020 Fundamentals of Music Literacy
	• 32-1100 Music Prep
	• 32-1110 Aural Skills I
	• 32-1120 Theory I
	• 32-1131 Keyboard I
	• 32-1132 Keyboard II
	• 32-1170 Music Theory for Musical Theatre
	• 32-1321 Guitar Techniques I
	• 32-1322 Guitar Techniques II
	• 32-1511 Techniques in Singing I
	• 32-1540 Fundamentals of Musical Theatre Singing
	• 32-1610 Music Through the Ages, from Chant to R&B
	• 32-1620 Popular Contemporary Music
	• 32-1621 Introduction to Black Music
	• 32-1624 Afro-Latin and Caribbean: US Musical Crosscurrents
	• 32-1626 Hip-Hop: A Sonic History
	• 32-1628 The Chicago Blues Scene: From the Past to Preservation
	• 32-1629J The Blues: Chicago to the Mississippi Delta
	• 32-1631 Jazz Scenes: Chicago and Beyond
	• 32-1651 Introduction to Musics of the World
	• 32-1700 Introductory Private Voice
	• 32-1771 Primary Lessons, Level 1
	• 32-1772 Secondary Lessons
	• 32-1791 Beginning Primary Composition Lessons
	• 32-1792 Beginning Secondary Composition Lessons
	• 32-1890 Ensemble: Style & Technique
	• 32-1911 Digital Music Production I
	• 32-1915 Technology for Musicians I
	• 32-2111 Aural Skills II
	• 32-2112 Aural Skills III
	• 32-2113 Aural Skills IV
	• 32-2121 Theory II
	• 32-2122 Theory III
	• 32-2133 Keyboard Harmony I
	• 32-2134 Keyboard Harmony II
	• 32-2211 Composition I: The Composer in the Modern World
	• 32-2212 Composition II
	• 32-2221 Songwriting I
	• 32-2250 Fundamentals of Arranging
	• 32-2251 Orchestration I
	• 32-2255 Jazz Arranging I
	• 32-2261 Digital Music Composition and Performance I
	• 32-2310 Pop/Jazz Keyboard: Styles and Harmony
	• 32-2323 Guitar Techniques III
	• 32-2381 Techniques for Improvisation I
	• 32-2382 Techniques for Improvisation II
	• 32-2411 Fundamentals of Conducting
	• 32-2512 Techniques in Singing II
	• 32-2522 Styles & Methods for Contemporary Singers
	• 32-2611 Music, Time, and Place I
	• 32-2612 Music, Time, and Place II
	• 32-2660 Special Topics in Musicology
	• 32-2771 Primary Lessons, Level 2
	• 32-2772 Intermediate Secondary Lessons
	• 32-2791 Composition Lessons, Level 1
	• 32-2792 Secondary Composition Lessons
	• 32-2890 Ensemble: Performance
	• 32-2910 Notation and Recording Lab
	• 32-2912 Digital Music Production II
	• 32-2925 Technology for Musicians II
	• 32-2995 Writing for Musical Theatre
	• 32-3121 Theory IV
	• 32-3122 Analytical Studies
	• 32-3161 Pop/Jazz Theory and Musicianship
	• 32-3211 Composition III
	• 32-3212 Composition IV
	• 32-3215 Renaissance Counterpoint
	• 32-3216 Baroque Counterpoint
	• 32-3222 Songwriting II
	• 32-3241 Composing for Films
	• 32-3248L Semester in LA: Film Scoring
	• 32-3248LJ Semester in LA: Film Scoring
	• 32-3250 Pop Arranging and Orchestration
	• 32-3252 Orchestration II
	• 32-3256 Jazz Arranging II
	• 32-3262 Digital Music Composition and Performance II
	• 32-3383 Techniques for Improvisation III
	• 32-3384 Techniques for Improvisation IV
	• 32-3513 Techniques in Singing III
	• 32-3520 Concert and Video Performance Technique
	• 32-3531 Vocal Improvisation I
	• 32-3532 Vocal Improvisation II
	• 32-3621 Music History, Ethnography, and Analysis
	• 32-3626J CBMR: The Voice of Bob Marley
	• 32-3630 Jazz Styles and Analysis
	• 32-3665 Advanced Seminar in Musicology

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