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CINE 118 Introduction to Sound for Cinema and Television
This introductory course covers theory and aesthetics of sound as it is used in cinema and television, emphasizing visual storytelling through audio.
Repeatable: N
Formerly 24-1100
Minimum Credits 1 Maximum Credits 1
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CINE 121 Lighting I
Course introduces the physics of motion picture lighting for students with little or no lighting experience. Students become familiar with important safety procedures and the use of standard lighting equipment. Special attention is given to important light measuring techniques using incident light meters and spot meters, quality of light and lighting ratios. Course encourages intelligent, thoughtful approaches to the aesthetics of lighting.
Repeatable: N
Formerly 24-1200
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 4 Maximum Credits 4
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CINE 125 Introduction to Digital Cinematography
This beginning course in digital image acquisition technology introduces students to basic camera systems through lecture and hands-on exploration. Students will become proficient in the use of digital cameras, monitors and data management tools. Shooting exercises reinforce the tools available to a beginning cinematography student as a way to enhance storytelling.
Repeatable: N
Formerly 24-1210
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 128 Acting and Directing Workshop
Course is designed to introduce fundamentals of the actor’s craft to directing students. Students learn various acting techniques and apply them to basic directing methods. The relationship between actor, text, and director is emphasized through analysis, rehearsal, and scene work. Intended outcome is an understanding of the actor’s process and the collaboration and communication necessary between actors and directors.
Repeatable: N
Formerly 24-1300
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 130 Editing I
Course helps students develop the basic non-linear editing skills needed to tell stories effectively through screenings, practical hands-on assignments, using NLE editing software, readings, and lectures. Organizational skills needed to handle NLE offline digital video and audio materials are covered. Editing exercises consist of various editing genres, using scenes from longer works. Students receive ongoing critiques of their work to determine their proficiency of craft and creativity.
Repeatable: N
Formerly 24-1401
Concurrent Requisite CINE 131 Editing I Studio
Minimum Credits 3 Maximum Credits 3
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CINE 131 Editing I Studio
This course is required concurrently with Editing I. Students develop basic skill in the use of a digital editing platform in completing the Editing I course exercises, as well as investigating current technical developments and digital workflow concepts. Content is presented through demonstrations, tutorials and hands-on practice using visual and audio media. Students receive ongoing critique, quizzes and one-to-one problem solving to determine their proficiency and advancement in the use of the platform.
Repeatable: N
Formerly 24-1401B
Concurrent Requisite CINE 130 Editing I
Minimum Credits 1 Maximum Credits 1
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CINE 135 Photoshop Workshop for Editors
Intensive two-day seminar course in Photoshop assists editing students in video finishing. Photoshop can be used as a tool for graphics production for film and video. Students will learn titling, alpha channels, mattes, etc.
Repeatable: N
Formerly 24-1426
Minimum Credits 1 Maximum Credits 1
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CINE 140 Script Analysis for Cinema
This course provides students with an opportunity to learn more about various concentrations by examining the methods by which professionals approach, break down, or prepare a script for filming. Students analyze various drafts of scripts from several feature length and shorter films. Beginning with story analysis, class analyzes scripts in relationship to producing, directing, acting, production design, cinematography, editing, and sound design. Script strengths and weaknesses are discussed in relation to each of the production areas. Course material links with material from each of the major concentration areas in Cinema.
Repeatable: N
Formerly 24-1700
Prerequisites ENGL 109 Writing and Rhetoric I Stretch B or ENGL 111 Writing and Rhetoric I or ENGL 111H Writing and Rhetoric I: Honors or ENGL 121 International Writing and Rhetoric I or TWC-T-7 EXAM-TWC WRITING MINIMUM SCORE = 7
Minimum Credits 3 Maximum Credits 3
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CINE 142 Idea Development for Cinema
Students will examine their own creative process as well as conceptualize and develop creative projects that can be adapted to the short film format. The goal is to generate a number of viable concepts and ideas that can be stockpiled for future use as well as to learn and implement development techniques by concentrating on a couple of those concepts and bringing them to the pre-production stage. Portfolios developed in this class can be used for future projects.
Repeatable: Y
Formerly 24-1701
Prerequisites ENGL 109 Writing and Rhetoric I Stretch B or ENGL 111 Writing and Rhetoric I or ENGL 111H Writing and Rhetoric I: Honors or ENGL 121 International Writing and Rhetoric I or TWC-T-7 EXAM-TWC WRITING MINIMUM SCORE = 7
Minimum Credits 1 Maximum Credits 1
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CINE 143 World Cinema I
This course examines the world cinema up until World War II. Emphasis is placed on major directors, national cinemas, and movements that contributed to the development of narrative cinema. Screenings will be discussed for their aesthetic, historical, technological and ideological significance. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the material.
Repeatable: N
Formerly 24-2550
Minimum Credits 3 Maximum Credits 3
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CINE 144 World Cinema II
This course examines the world cinema after World War II. Emphasis is placed on major directors, national cinemas, and movements that contributed to the development of narrative cinema. Screenings will be discussed for their aesthetic, historical, technological and ideological significance. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the material.
Repeatable: N
Formerly 24-2551
Minimum Credits 3 Maximum Credits 3
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CINE 145 Screenwriting I: Writing the Short Film
Course is a workshop that explores basic methods of writing for cinema which further develop the students’ skills in presenting their ideas in written form. Students will develop craft skills basic to cinema writing: research, story development, scene structure, dialogue, and character definition. Emphasis is on finding visual equivalents for human emotions and on developing the writer’s individual personal vision. This work culminates in the development and revision of two short narrative scripts. Instrumental in the development of the student as a writer is the ability to read, and effectively critique, the work of their peers.
Repeatable: N
Formerly 24-1710
Prerequisites ENGL 111 Writing and Rhetoric I or ENGL 111H Writing and Rhetoric I: Honors or ENGL 121 International Writing and Rhetoric I or ENGL 109 Writing and Rhetoric I Stretch B or TWC-T-7 EXAM-TWC WRITING MINIMUM SCORE = 7
Minimum Credits 3 Maximum Credits 3
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CINE 148 Introduction to Documentary
Students will examine in-depth the methods by which non-fiction filmmakers develop, produce and distribute documentary films. Through a series of screenings, lectures, critiques and class discussions, a variety of long- and short-form documentary projects will be analyzed by students in relationship to: story, research, producing, directing, cinematography, editing, sound design, history, aesthetics, ethics and distribution. The class will link with material from each concentration area in Cinema and Television Arts - but through the prism of non-fiction filmmaking.
Repeatable: N
Formerly 24-1801
Prerequisites ENGL 109 Writing and Rhetoric I Stretch B or ENGL 111 Writing and Rhetoric I or ENGL 111H Writing and Rhetoric I: Honors or ENGL 121 International Writing and Rhetoric I or TWC-T-7 EXAM-TWC WRITING MINIMUM SCORE = 7
Minimum Credits 3 Maximum Credits 3
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CINE 180 Studies in Documentary
Non-production, rotating topics course looks at examples of documentary filmmaking. Such past topics have included cross-cultural filmmaking, the music documentary, and indigenous filmmaking. Students may repeat this course as topics change.
Repeatable: Y
Formerly 24-1810
Minimum Credits 3 Maximum Credits 3
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CINE 181A Studies in Editing
This repeatable course consists of rotating subjects of interest to the developing editor or filmmakers who wants to explore particular aspects of editing and postproduction in depth. Classes include lectures, film clips, written papers and/or exercises. Students choose to register for the subjects that best address their interests and needs.
Repeatable: Y
Formerly CINE 181
Minimum Credits 1 Maximum Credits 1
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CINE 181B Studies in Editing
This repeatable course consists of rotating subjects of interest to the developing editor or filmmakers who wants to explore particular aspects of editing and postproduction in depth. Classes include lectures, film clips, written papers and/or exercises. Students choose to register for the subjects that best address their interests and needs.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 181C Studies in Editing
This repeatable course consists of rotating subjects of interest to the developing editor or filmmakers who wants to explore particular aspects of editing and postproduction in depth. Classes include lectures, film clips, written papers and/or exercises. Students choose to register for the subjects that best address their interests and needs.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 181D Studies in Editing
This repeatable course consists of rotating subjects of interest to the developing editor or filmmakers who wants to explore particular aspects of editing and postproduction in depth. Classes include lectures, film clips, written papers and/or exercises. Students choose to register for the subjects that best address their interests and needs.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 181E Studies in Editing
This repeatable course consists of rotating subjects of interest to the developing editor or filmmakers who wants to explore particular aspects of editing and postproduction in depth. Classes include lectures, film clips, written papers and/or exercises. Students choose to register for the subjects that best address their interests and needs.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 182A Topics in Cinematography
This repeatable course consists of rotating subjects of interest to the developing cinematographer or filmmaker who appreciates the importance of visual storytelling. Suggested topics include introduction to cinematography; cinematography aesthetics; the role of lighting in storytelling; choreography of camera for story; editing from a cinematographers POV; blocking for camera; optics and lensing; etc. Topics address relevant camera and visual subjects that merit in depth exploration. Classes include lectures, films clips, written papers and/or exercises. Students choose to register for the topic/semester that best address their interests and needs.
Repeatable: Y
Formerly CINE 182
Co-requisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 1 Maximum Credits 1
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CINE 182B Topics in Cinematography
This repeatable course consists of rotating subjects of interest to the developing cinematographer or filmmaker who appreciates the importance of visual storytelling. Suggested topics include introduction to cinematography; cinematography aesthetics; the role of lighting in storytelling; choreography of camera for story; editing from a cinematographers POV; blocking for camera; optics and lensing; etc. Topics address relevant camera and visual subjects that merit in depth exploration. Classes include lectures, films clips, written papers and/or exercises. Students choose to register for the topic/semester that best address their interests and needs.
Repeatable: Y
Co-requisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 1 Maximum Credits 1
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CINE 182C Topics in Cinematography
This repeatable course consists of rotating subjects of interest to the developing cinematographer or filmmaker who appreciates the importance of visual storytelling. Suggested topics include introduction to cinematography; cinematography aesthetics; the role of lighting in storytelling; choreography of camera for story; editing from a cinematographers POV; blocking for camera; optics and lensing; etc. Topics address relevant camera and visual subjects that merit in depth exploration. Classes include lectures, films clips, written papers and/or exercises. Students choose to register for the topic/semester that best address their interests and needs.
Repeatable: Y
Co-requisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 1 Maximum Credits 1
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CINE 182D Topics in Cinematography
This repeatable course consists of rotating subjects of interest to the developing cinematographer or filmmaker who appreciates the importance of visual storytelling. Suggested topics include introduction to cinematography; cinematography aesthetics; the role of lighting in storytelling; choreography of camera for story; editing from a cinematographers POV; blocking for camera; optics and lensing; etc. Topics address relevant camera and visual subjects that merit in depth exploration. Classes include lectures, films clips, written papers and/or exercises. Students choose to register for the topic/semester that best address their interests and needs.
Repeatable: Y
Co-requisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 1 Maximum Credits 1
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CINE 182E Topics in Cinematography
This repeatable course consists of rotating subjects of interest to the developing cinematographer or filmmaker who appreciates the importance of visual storytelling. Suggested topics include introduction to cinematography; cinematography aesthetics; the role of lighting in storytelling; choreography of camera for story; editing from a cinematographers POV; blocking for camera; optics and lensing; etc. Topics address relevant camera and visual subjects that merit in depth exploration. Classes include lectures, films clips, written papers and/or exercises. Students choose to register for the topic/semester that best address their interests and needs.
Repeatable: Y
Co-requisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 1 Maximum Credits 1
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CINE 183A SFC Topics
This repeatable course consists of rotating subjects of interest to the developing filmmaker or sound engineer who wants to explore particular aspects of sound for cinema and television in depth.
Repeatable: Y
Formerly CINE 183
Minimum Credits 1 Maximum Credits 1
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CINE 183B SFC Topics
Topics class(es) on Specific Sound for Cinema Recording & Post Production Techniques.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 183C SFC Topics
Topics class(es) on Specific Sound for Cinema Recording & Post Production Techniques.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 183D SFC Topics
Topics class(es) on Specific Sound for Cinema Recording & Post Production Techniques.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 183E SFC Topics
Topics class(es) on Specific Sound for Cinema Recording & Post Production Techniques.
Repeatable: Y
Minimum Credits 1 Maximum Credits 1
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CINE 184 Seminar in Producing
This course consists of topics of interest to the developing filmmaker with an interest in producing. It will provide an indepth exploration of aesthetics, history, and cinematic trends from a producer’s perspective. Subjects may include the producer/director power dynamic; the rise of the female producer; international co-productions; and the art and business of film analysis.
Repeatable: Y
Formerly 24-3606
Minimum Credits 1 Maximum Credits 1
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CINE 201 Set Decorating Workshop for Cinema
Course provides a hands-on techniques review for set construction and dressing. Instruction covers the entire process, from scene analysis and breakdown, budgeting for the art department, set construction, props and dressing location and procurement, and dressing of constructed set. Strategies of collaboration are discussed.
Repeatable: N
Formerly 24-2000J
Minimum Credits 2 Maximum Credits 2
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CINE 202 Cinematic Art in the Land of Leonardo
In this course students investigate Florentine history and art as it relates to contemporary cinema by analyzing, planning, and filming segments from a film script. Special attention is paid to visual perspective, the impact of physical context on visual narrative, individual and collaborative approaches to art making, and the role of patronage, apprenticeship and mentorship. Primary references are Dante’s Inferno , Renaissance perspectival painting, and 20th century Italian Neo-Realism. Each topic is approached from the point of view of performance, photography/cinematography, design, and editing. The course will be of value not only to Cinema Art + Science students but also to actors, photographers, set and fashion designers, and those interested in art history and art criticism.
Repeatable: N
Formerly 24-2001
GA
Requirements Permission Required (DP)
Minimum Credits 3 Maximum Credits 3
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CINE 203 Production: Fact and Fiction
Students will have the opportunity to develop, produce, edit and exhibit two short films based on a single idea by exploring a variety of visual and aural strategies, styles, and production approaches appropriate for both fiction and documentary filmmaking. Students will also have the opportunity to explore developing a point-of-view and narrative structures leading to forming their authorial and personal voice. Students will relate fundamental cinematic concepts to their creative process including mise-en-scène, visual and sonic design, intentionality, and audience awareness. Further emphasis is placed on effective small team production techniques.
Repeatable: N
Formerly 24-2003
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process or TELE 230 Production and Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 204 Production: The Cinematic Essay
Students will have the opportunity to explore their personal voice and vision through a series of brief visual and aural essays focused on a course topic. These cinematic sketches may include a travelogue, diary, impressionistic news report, home movie, and real or imagined conversations, and they will lead to a longer cinematic essay expressing a fully developed concept pertaining to the course topic. A variety of visual, sonic and discursive cinematic practices are examined as well as the history and aesthetics of the cinematic essay as a filmmaking mode.
Repeatable: N
Formerly 24-2004
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process or TELE 230 Production and Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 205 Cinema Props
Course emphasizes the safety, construction, and planning skills necessary to design, estimate, and construct three dimensional specialty props, models and miniatures for cinema. Emphasis is on the collaborative skills of transforming images from a designer’s sketches and concept art to working drawings and full three dimensional construction props. Techniques include carving, molding, casting, as well as scaling of paint and dress techniques for miniatures.
Repeatable: N
Formerly 24-2011
Prerequisites CINE 105 Production Design Fabrication Basics and CINE 107 Production Design I
Minimum Credits 3 Maximum Credits 3
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CINE 208 Cinema Set Design and Construction
This course introduces the planning and fabrication skills necessary to design, estimate, and safely construct motion picture sets. Students will learn the basics of hand-drawn drafting to create working drawings and cost estimating for budget creation. Students will collaborate on in-class projects, gaining hands-on experience in construction techniques, shop safety, and the uses of common construction materials as they relate to set construction.
Repeatable: Y
Formerly 24-2013
Prerequisites CINE 105 Production Design Fabrication Basics
Minimum Credits 4 Maximum Credits 4
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CINE 209 Production Design Rendering Techniques
Production Design for cinema requires precise visual communication between all departments. This course emphasizes the rendering and drafting techniques necessary to create useful and believable previsualization images of sets, props, keyframes, and storyboards. Focus will be on utilizing elements and principles of design to compose drawings based on observation, understanding and utilizing perspective, and applying shading techniques and lighting.
Repeatable: N
Formerly 24-2014
Prerequisites CINE 107 Production Design I
Minimum Credits 3 Maximum Credits 3
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CINE 211 Post-Production Audio I
Entry-level Sound for Cinema course offers instruction and exploration into the methodology and skills training of sound design and mixing for cinema. Course includes an introduction to the Digital Audio Workstation for sound editing, enhancement and manipulation, andre-recording mixing of the various categories of cinema sound. Students work on a variety of cinema sound projects that mirror professional practice and foster development of the necessary skills to proceed through the Sound for Cinema pathway.
Repeatable: N
Formerly 24-2101
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process or JOUR 351 Multimedia Photo Essay
Minimum Credits 4 Maximum Credits 4
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CINE 213 Location Sound Recording I
Course introduces students to production applications and audio technologies for cinema and television arts. Areas covered include digital recorders, mixers, microphones, signal chain, time-code, metadata, production protocols and pre-production strategies for cinema and television production.
Repeatable: N
Formerly 24-2103
Prerequisites TELE 230 Production and Editing I or CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 4 Maximum Credits 4
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CINE 214 Music for Cinema
Students are introduced to the language of cinema and how composers and music supervisors serve the needs of the frame while exploring the functions of the score and music licensing. Textural conceptualization and technology expanding emotional resonance are examined. Understanding the vocabulary of music, contemporary targeting issues impacting tone, voicing, spotting and the business of synchronization to picture are a vital component. Students develop musical application skills using analysis and creative projects to foster and enhance their understanding.
Repeatable: N
Formerly 24-2104
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 215 Cinematography:Camera Seminar
Course gives students a working knowledge of 16mm, Super-16 and beginning digital motion picture camera systems. It provides hands-on training in camera handling and assisting. Students learn basic image acquisition techniques based on optics, focal length, stops, and depth-of-field. Students are introduced to set protocol and the duties of the different members of the camera department.
Repeatable: N
Formerly 24-2202
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 216 Image Design for Cinema
In this course students will examine the design of images and their critical role in how filmmakers communicate story. Through lectures, practical assignments and critique, students refine their ability to use visual components to see, conceive and communicate most effectively. This course bridges the gap between theory and practice and highlights the relationship between story structure and visual structure.
Repeatable: N
Formerly 24-2201
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 221 Photo Theory/Lab Practice
This course deals with the technologies of image acquisition, from the first photographic emulsion to today’s digital sensors. It offers in-depth studies of photosensitive emulsions, latent image theory, laboratory processing and printing, mechanical properties of film, image quality, densitometry, sensitometry and digital sensors, scanning, and archiving. A brief history of photochemical and digital photography is included.
Repeatable: N
Formerly 24-2216
Prerequisites CINE 121 Lighting I and CINE 216 Image Design for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 223 Cinema Color I
Students acquire a working knowledge of the aesthetics and technical aspects of the color correction process. Content addresses theory and application of color correction, image control and manipulation techniques. Principles and history of color theory and the tools available to filmmakers are explored through lecture, interactive computer exercises, and hands-on work with current professional color correction software.
Repeatable: N
Formerly 24-2208
Prerequisites CINE 130 Editing I or CINE 216 Image Design for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 224 Color Correction for Editors
Course is designed for any Cinema or Television student with specific value for the editor. Students acquire a working knowledge of aesthetics and the technical aspects of color correction as it applies to the editing environment. Course involves lecture and practical experience. Students may bring an existing project to work with during the workshop part of the class, or exercises will be provided for them.
Repeatable: N
Formerly 24-2206J
Prerequisites CINE 230 Editing II
Minimum Credits 2 Maximum Credits 2
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CINE 225 Cinema Directing I
Course builds upon the relationship between actor, text, and director and expands to include camera blocking, basic scene coverage, additional rehearsal techniques, and effective critiquing skills. Emphasis is on the development of director’s breakdowns, pre-visualization, set-etiquette, and fundamental collaboration with key department heads. Scene work culminates with the blocking and staging of a cinematic narrative scene.
Repeatable: N
Formerly 24-2301
Prerequisites CINE 128 Acting and Directing Workshop
Minimum Credits 6 Maximum Credits 6
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CINE 226 Digital Workflow
This repeatable course consists of rotating subjects supporting the creative workflow of digital cinema. This course would be of interest to developing editors, cinematographers, post-production supervisors, VFX supervisors or anyone else seeking fluency in the contemporary digital landscape. Classes may include lectures, demonstrations, site visits and/or practice.
Repeatable: Y
Formerly 24-2404
Prerequisites CINE 130 Editing I
Minimum Credits 1 Maximum Credits 1
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CINE 227 Advanced Post-Production Tools
This repeatable course consists of rotating subjects which support students to advance and deepen their skills in the tools used in editing and post-production workflows. Students will learn through lectures, demonstrations and exercises as they deepen and apply their skills in editing and post-production.
Repeatable: Y
Formerly 24-2406
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 228 Editing the Documentary
This course provides documentary editing experience and creative collaborations on original work developed by students in the documentary production classes. Pre-production planning, on set workflow issues and handling large amounts of media in the edit room are discussed from the post-production perspective. Students will add original creative work for their editing reels from the projects completed in this class.
Repeatable: Y
Formerly 24-2407
Prerequisites CINE 130 Editing I or CINE 267 Documentary Production Module I: Location Camera and Sound or TELE 230 Production and Editing I
Minimum Credits 4 Maximum Credits 4
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CINE 229 The Assistant Editor
This course examines the role of the feature film assistant editor past, present and future, with a focus on providing hands-on experience using traditional and current skills associated with this position. In addition to exploring the responsibilities associated with the preparation and organization of digital elements students will conform a short film from a digital edit as a basis of understanding the evolution of current post-production processes
Repeatable: N
Formerly 24-2425
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 230 Editing II
Hands-on course helps students continue to develop the necessary skills to become professional editors. Editing projects are increasingly more complex, concluding with finishing a short film. Communicating and collaborating with a director is emphasized. Students use professional state-of-the-art non-linear digital editing equipment and receive ongoing critiques of their work to determine their proficiency of craft and creativity. Understanding NLE workflow from capturing footage through exporting the final project is emphasized.
Repeatable: N
Formerly 24-2402
Prerequisites CINE 130 Editing I and CINE 131 Editing I Lab
Concurrent Requisite CINE 231 Editing II Studio
Minimum Credits 3 Maximum Credits 3
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CINE 231 Editing II Studio
This course must be taken concurrently with Editing II. Students develop advanced editing skills using a state-of-the-art digital editing platform. Skill development includes: editing techniques, sound design, color correction, simple compositing, and exporting to successfully complete the Editing II course projects. Content is presented through demonstrations, tutorials and hands-on practice. Ongoing critique and one-on-one problem solving are offered to determine proficiency and advancement in use of the platform.
Repeatable: N
Formerly 24-2402B
Prerequisites CINE 130 Editing I
Concurrent Requisite CINE 230 Editing II
Minimum Credits 1 Maximum Credits 1
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CINE 232 Post-Production Supervisor
Course is designed for the advanced editing student who is working as a post-production producer. Content emphasizes pre-production decisions necessary for post-production: scheduling, budgeting, hiring personnel and allocating facilities and equipment. Class explores various national and international distribution requirements. Students learn strategies for communicating with third-party vendors including sound, labs, and post-production houses. Course uses a feature length film as model.
Repeatable: N
Formerly 24-2427
Prerequisites CINE 130 Editing I and CINE 131 Editing I Studio
Minimum Credits 3 Maximum Credits 3
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CINE 234 Cinema Analysis and Criticism
Course is a writing-and-research-intensive introduction to cinema studies. Students are taught how to write about cinema and media using different approaches including: formal analysis, ideological analysis, and historical research. In order to focus more on writing and course content, screenings will be limited. The screenings may change at the discretion of the instructor but the nature and number of the assignments will remain the same for each offering of the course.
Repeatable: N
Formerly 24-2500
WI
Minimum Credits 3 Maximum Credits 3
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CINE 235A Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Formerly CINE 235
Minimum Credits 3 Maximum Credits 3
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CINE 235B Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Minimum Credits 3 Maximum Credits 3
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CINE 235C Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Minimum Credits 3 Maximum Credits 3
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CINE 235D Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Minimum Credits 3 Maximum Credits 3
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CINE 235E Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Minimum Credits 3 Maximum Credits 3
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CINE 235F Authorship:
Screening/discussion course is an intensive study of a single director (or directors) as auteur. The featured director(s) changes each semester. Class examines recurring themes, stylistic innovations, and differentiating interpretations of directors’ films. Course may be repeated as featured directors change.
Repeatable: Y
Minimum Credits 3 Maximum Credits 3
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CINE 236 Recent Directors
This one credit course studies recent directors, stars, producers, and other content creators who usually are not discussed in fifteen week courses. Subjects change each semester. Students will examine recurring themes, stylistic innovations, and differentiating interpretations of the screenings. Course may be repeated as featured authors change.
Repeatable: Y
Formerly 24-2501A
Minimum Credits 1 Maximum Credits 1
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CINE 238A Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Formerly CINE 238
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 238B Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 238C Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 238D Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 238E Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 238F Cinema History and Culture
This course examines historical and cultural issues in cinema. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 239A New Perspectives on Cinema Studies
This one-credit course examines historical and cultural issues in cinema not usually discussed in a fifteen week course. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Formerly CINE 239
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 239B New Perspectives on Cinema Studies
This one-credit course examines historical and cultural issues in cinema not usually discussed in a fifteen week course. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 239C New Perspectives on Cinema Studies
This one-credit course examines historical and cultural issues in cinema not usually discussed in a fifteen week course. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 239D New Perspectives on Cinema Studies
This one-credit course examines historical and cultural issues in cinema not usually discussed in a fifteen week course. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 239E New Perspectives on Cinema Studies
This one-credit course examines historical and cultural issues in cinema not usually discussed in a fifteen week course. Topics may include specific genres, national cinemas, representations of gender and sexuality, non-narrative cinema, or the aesthetic impact of technological innovations. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 240A Cinema and Global Media Culture
This course examines the impact of global media culture on cinema history and aesthetics. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an analysis of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help them engage actively with the topics.
Repeatable: Y
Formerly CINE 240
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 240B Cinema and Global Media Culture
This course examines the impact of global media culture on cinema history and aesthetics. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an analysis of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help them engage actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 240C Cinema and Global Media Culture
This course examines the impact of global media culture on cinema history and aesthetics. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an analysis of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help them engage actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 240D Cinema and Global Media Culture
This course examines the impact of global media culture on cinema history and aesthetics. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an analysis of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help them engage actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 240E Cinema and Global Media Culture
This course examines the impact of global media culture on cinema history and aesthetics. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an analysis of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help them engage actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 3 Maximum Credits 3
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CINE 241A New Trends in Global Cinema
This one-credit course examines the impact of global media culture on cinema history and aesthetics in the form of topics not usually discussed in a fifteen week course. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an examination of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Formerly CINE 241
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 241B New Trends in Global Cinema
This one-credit course examines the impact of global media culture on cinema history and aesthetics in the form of topics not usually discussed in a fifteen week course. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an examination of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 241C New Trends in Global Cinema
This one-credit course examines the impact of global media culture on cinema history and aesthetics in the form of topics not usually discussed in a fifteen week course. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an examination of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 241D New Trends in Global Cinema
This one-credit course examines the impact of global media culture on cinema history and aesthetics in the form of topics not usually discussed in a fifteen week course. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an examination of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 241E New Trends in Global Cinema
This one-credit course examines the impact of global media culture on cinema history and aesthetics in the form of topics not usually discussed in a fifteen week course. Topics may include cinematic adaptations of video games, graphic novels, or television series, as well as an examination of how distribution models and international film festivals help determine cinematic form and audience reception. Course may be repeated as topics change. Students will research and write papers and be involved in a number of other in-class and online research activities to help engage them actively with the topics.
Repeatable: Y
Requirements Sophomore Standing or Above (SO)
Minimum Credits 1 Maximum Credits 1
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CINE 242 Studies in Film History
Course investigates how social, economic, and political institutions affect film and video style and content during a specific era. In turn, it looks at how movies provide metaphorical snapshots of their culture at these moments. Topics covered in the past have included films of the ‘50s, films of the ‘60s, films of the ‘70s, movies and war propaganda, and black roles in film and society. Course may be repeated as topics change.
Repeatable: Y
Formerly 24-2540J
Minimum Credits 2 Maximum Credits 2
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CINE 243 Studies in Film Aesthetics
Course investigates how artistic and cultural movements and technological innovations determine and enhance the aesthetics development of the medium. Previous topics have included expressionism; surrealism; and aspects of film: cinemascope, technicolor, stereophonic sound, and 3-D. Course may be repeated as topics change.
Repeatable: N
Formerly 24-2561
Minimum Credits 3 Maximum Credits 3
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CINE 245 Screenwriting II: The Feature Film
Course teaches students to produce longer and more complex screenplays; facilitates a deeper understanding of the screenwriting process; and enables students to develop character, story, and linear structure. Students master systematic work habits in order to fully develop the screenplay, from initial idea to completed script. Course also provides students with the opportunity for consistent critique of their screenwriting.
Repeatable: N
Formerly 24-2710
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 246 The Art and Business of Casting: Casting Director Workshop for Cinema
Course examines the casting process from packaging a film to production. Creative casting will be explored as a necessary preparatory process undertaken by Casting Directors, Directors and Producers. Script roles must be embellished and further defined through this Director-Producer-CD collaboration, which yields a set of aesthetic parameters for auditioning actors and their associated performances. The workshop will give the successful student an understanding of how to recruit actors through promotion, communication with agents and managers, and the rigor of in-person auditions. A comprehensive look at auditioning will include creation of sides, assessment of script readings and monologues and callbacks. Students will also focus on hiring both non-SAG and SAG actors and how to negotiate actor work-for-hire agreements.
Repeatable: N
Formerly 24-3601A
Prerequisites CINE 128 Acting and Directing Workshop
Minimum Credits 2 Maximum Credits 2
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CINE 248 Producing I: Production Team
Course explores the production team and the role of the line producer, unit production manager, production manager, and assistant directors in managing the physical production process of producing a film. This process will include budgeting and scheduling, and managing cast, crew and vendor relationships. Additional team members are examined, including the roles of the casting director, location manager, production coordinator, and script supervisor. The post-production supervisor position is discussed including post-production scheduling, budgeting, and meeting delivery requirements for distribution and film festivals.
Repeatable: N
Formerly 24-2600
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 249 Introduction to Script Supervising
Course focuses on the role of the script supervisor, a film profession responsible for maintaining script continuity, working with the director to ensure that scenes are completely covered, and preparing daily notes for the editor and post-supervisor. Course will also cover the script supervisor as a critical crew position and will enhance students’ understanding of the multitude of details that must be addressed in production and the resulting impact on post-production through the creation and dissemination of associated on-set documentation and the management of continuity protocol.
Repeatable: N
Formerly 24-2600J
Co-requisites CINE 248 Producing I: Production Team or TELE 210 The Television Producer
Minimum Credits 2 Maximum Credits 2
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CINE 250 Advanced Script Supervising
This three-credit hour course is affiliated with the advanced production and offers students an opportunity to learn about the role of Script Supervisor by serving as Script Supervisors on a film. Learning will be delivered through instructor mentoring and focus on practical preparation of scripts notes, lining scripts, assigning slate numbers, working with the various departments during production and set etiquette.
Repeatable: N
Formerly 24-2612
Prerequisites CINE 249 Introduction to Script Supervising
Minimum Credits 3 Maximum Credits 3
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CINE 251 The Art of Pitching
Course will look at various media to see how others pitch their stories or products, and practice pitching before the class and before professionals. The focus will be upon presenting the student’s personal work to a potential buyer, executive producer, or similar client. Students will work on crafting their loglines and pitches in writing before conversion to verbal presentation.
Repeatable: N
Formerly 24-2701J
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 1 Maximum Credits 1
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CINE 253 Adaptation
Course examines problems, obstacles, and reconstruction principles inherent in adapting a literary work for the screen. Content focuses primarily on the kinds of short work attractive to low-budget filmmakers and works possible within the Columbia production program.
Repeatable: N
Formerly 24-2715
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 255 Seminar in Directing:
As a filmmaker, the approach to directing specific genres - like action or horror films - can be vastly different than directing dramatic and/ or static scenes. This is a rotating subjects course that will focus on the basics of directing a specific genre, driven as practical matters and will further reinforce directing the script/polishing, shot design, storyboarding, blocking, editing/delivery, and safety.
Repeatable: Y
Prerequisites CINE 225 Cinema Directing I
Minimum Credits 1 Maximum Credits 1
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CINE 257 Screenwriting Workshop: Reading for Coverage in LA
This course requires that students read and analyze a variety of scripts preparing coverage as practice for entry-level positions in screenwriting or preparing for jobs in Hollywood development offices.
Repeatable: Y
Formerly 24-2731L
Requirements Permission Required (DP)
Minimum Credits 3 Maximum Credits 3
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CINE 259 Screenwriting Workshops:
Course is designed to help students revise and rewrite work previously written using a variety of approaches and techniques. Students learn to reexamine, reevaluate, and think critically about their own work and their classmates.
Repeatable: Y
Formerly 24-2735
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 260 Screen Treatment & Presentation
Course develops students’ skills in presenting their film ideas orally and in written treatment format. Course builds on concepts learned in Screenwriting I and Screenwriting II. Students master techniques to improve their oral pitching skills, learn how to write a query letter, and explore ways to improve their storytelling ideas. Course emphasizes rewriting and developing skills to sell screenplays.
Repeatable: N
Formerly 24-2740
Prerequisites CINE 245 Screenwriting II: The Feature Film or CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 261 Intro to Producing the Commercial
Course provides an introduction to the role of a commercial producer focusing on the advertising industry, the agencies, the creatives, bidding, as well as the physical/ logistical elements of producing commercials including scheduling, budgeting, crewing up, casting, working with vendors, for stage and location shooting. Course will cover a wide range of short-form content including commercials, corporate videos, to new media content.
Repeatable: N
Formerly 24-3615
Prerequisites CINE 248 Producing I: Production Team or TELE 210 The Television Producer
Minimum Credits 3 Maximum Credits 3
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CINE 264 Documentary Production Module II: The Interview
This intensive workshop uses practical hands on experience in the essentials of the documentary interview. The workshop will focus on the basics for interviews including, strong camera skills, correct framing, lens sizes and eyeline, three-point lighting, microphone placement and appropriate sound recording for the formal, on the fly and alternative-styles of on-camera interviews. Students will work on developing questions and conversation strategies for working documentary interview subjects, helping interviewees feel at ease on camera. Focus will be given towards creative problem solving of sound and image technical issues for both on location and studio interviews.
Repeatable: N
Formerly 24-2812
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process or CINE 148 Introduction to Documentary or JOUR 102 Introduction to Journalism or PHOT 101 Photographic Practice I or PHOT 102 Photographic Practice II
Requirements Permission Required (DP)
Minimum Credits 1 Maximum Credits 1
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CINE 267 Documentary Production Module I: Location Camera and Sound
This intensive workshop course gives students an introduction in basic documentary field production. The emphasis centers on camera operation including filming the essential shots that are key to the edit of a documentary sequence, including: tripod usage, cinema verite and various other handheld styles of documentary filming. Students will learn the basic aspects of recording location documentary sound with an emphasis on microphone placement, booming and the usage of wireless and hard-wired microphones. The focus of the course will teach students how to work in a two person documentary team using minimal equipment to capture intimate moments. Additional topics include set protocols specific to documentary, crew coordination strategies, gear checklists and preparation, logging, data wrangling and the basics of delivering media to the editorial team.
Repeatable: N
Formerly 24-2809
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process or CINE 148 Introduction to Documentary or JOUR 102 Introduction to Journalism or PHOT 101 Photographic Practice I or PHOT 102 Photographic Practice II
Requirements Permission Required (DP)
Minimum Credits 1 Maximum Credits 1
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CINE 268 Producing and Directing the Interview
Intensive course gives students a comprehensive advanced approach to producing and directing interviews in assorted scenarios and venues. Students will prepare question banks based on pre-interviews and research. Students will practice friendly, adversarial, and investigative techniques. Additional topics include booking, scheduling, visualizing the interview, crew communication, coordination, and creative directing for specific styles. Ethics and legal aspects of the interview will be explored.
Repeatable: N
Formerly 24-2811
Prerequisites CINE 269 Documentary Production III: Intermediate Field Production or TELE 212 Television Arts: Writing and TELE 330 Production and Editing II
Requirements Permission Required (DP)
Minimum Credits 1 Maximum Credits 1
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