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CINE 271 Documentary Cinematography
This course focuses on the language, practice and art of visual storytelling in the documentary form. Students will examine the cinematographer’s role in the ideation, shooting and editing of non-fiction film content. Through a series of screenings, lectures, experiential exercises and class discussions, students will better understand the history and practice of cinematography as it pertains to story, character and structure - all through the prism of documentary.
Repeatable: N
Formerly 24-2820
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 272 Interdisciplinary Documentary Producing
This course covers the fundamentals of producing developing and funding nonfiction projects in multiple disciplines. Topics will include grant writing, pitching, research strategies, audience development, exhibition and distribution strategies. Emphasis will focus on creating plans for storytelling projects in the current multi-platform nonfiction landscape. The course will address issues of producing in video, audio, photography and written forms for distribution individually or across platforms.
Repeatable: N
Formerly 24-2825
Prerequisites CINE 148 Introduction to Documentary â-‘
Minimum Credits 2 Maximum Credits 2
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CINE 273 Documentary Sound
This course will focus on applied sound recording techniques specific to the documentary format, including short and feature film projects. Students will record audio in controlled and uncontrolled situations while exercising the skills required in pre-production, production, and post-production of advanced documentary films. It will combine theory and case studies with hands-on exercises and/or seminars in disciplines such as location sound recording, effects, Foley, sound editing, sound design and mixing.
Repeatable: N
Formerly 24-2805
Prerequisites CINE 267 Documentary Production Module I: Location Camera and Sound or CINE 264 Documentary Production Module II: The Interview
Minimum Credits 3 Maximum Credits 3
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CINE 275 Experimental Production I
Project-centered course engages students in non-narrative, alternative aspects of video and digital production. Students develop an aesthetic that explores, challenges, extends, or subverts mainstream narrative or documentary structures. Topics include camera experimentation and image manipulation; development of personal, political, or social themes; and distribution and marketing of experimental work.
Repeatable: N
Formerly 24-2901
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 306 Cinematography I
Through still and motion picture exercises, this course focuses on the interpretation of artistic goals by exploring the use of camera movement, focal length, depth of field, camera angles, etc. Students begin by developing different creative visualizations using pre-production tools including storyboards, shot lists, and overheads. Technical issues including acquisition formats, exposure, and lighting are analyzed.
Repeatable: N
Formerly 24-3202
Prerequisites CINE 215 Cinematography:Camera Seminar
Co-requisites CINE 221 Photo Theory/Lab Practice
Minimum Credits 4 Maximum Credits 4
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CINE 307 Production Design II
Building on the concepts introduced in Production Design I, this course expands on the foundation of the student as designer with an emphasis on the development of the visual concept and collaboration with a director and cinematographer. New material includes the creative and technical aspects of the art department as they relate to physical production and location modification. Course covers the traditional skills of sketching, drafting, and concept art and explains how they are used to communicate a designer’s vision to production crews. Students will be required to collaborate with peers on an advanced production.
Repeatable: N
Formerly 24-2010
Prerequisites CINE 107 Production Design I
Minimum Credits 3 Maximum Credits 3
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CINE 308 Digital Cinematography
This course is devoted to digital acquisition and to collaboration with directors on set. Cinematographers will work with a student enrolled in an advanced directing class, teaming up to create a pre-production plan and to shoot and color correct a short narrative story. Students will also shoot a non-narrative short such as a music video, commercial, or documentary., Using advanced digital systems, cinematography students learn all aspects of digital workflow from pre-production through post production.
Repeatable: N
Formerly 24-3204
Prerequisites CINE 306 Cinematography I
Requirements Permission Required (DP)
Minimum Credits 4 Maximum Credits 4
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CINE 310 Cinema Models and Miniatures
Course emphasizes the design and technical ability needed to create miniatures and models for cinema. Film examples will be analyzed for scale, medium, and style. Students will be introduced to physical modeling and sculpting techniques, media, scale, and architectural terms and concepts. Beginning from sketches and draftings, students will design and build miniature objects, environments, and characters utilizing a variety of materials.
Repeatable: Y
Formerly 24-2015
Prerequisites CINE 107 Production Design I and CINE 208 Cinema Set Design and Construction or CINE 205 Cinema Props
Minimum Credits 3 Maximum Credits 3
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CINE 311 Post-Production Audio II
Course explores the post-production techniques used in creating effective audio for cinema. Students develop aesthetic judgment by analyzing a variety of soundtracks and develop technical skills, including track building, ADR, Foley, and mixing, by employing these techniques in the design and creation of their own soundtracks.
Repeatable: N
Formerly 24-2102
Prerequisites AUDI 324 Audio for Visual Media I or CINE 211 Post-Production Audio I
Minimum Credits 4 Maximum Credits 4
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CINE 313 Location Sound Recording II
This course applies the principles and applications of production sound recording for cinema and television arts by providing sound services for advanced student productions. Under faculty supervision students will examine professional protocols and practical applications of production sound for discussions, exchange of experiences, and problem solving.
Repeatable: Y
Formerly 24-3101
Prerequisites AUDI 122 DAW Production Techniques and Applications or CINE 213 Location Sound Recording I
Minimum Credits 4 Maximum Credits 4
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CINE 315 Cinematography: Camera Seminar II
This class expands upon concepts introduced in Camera Seminar I. In addition to the technical aspects of high end, professional level camera systems, this course focuses on the skills required to be a professional operator and the first assistant. Instruction also covers support equipment including the dolly, jib, gear head, and video assist. The course focuses on how various camera skills can be used to enhance storytelling.
Repeatable: N
Formerly 24-3201
Prerequisites CINE 215 Cinematography:Camera Seminar and CINE 216 Image Design for Cinema and CINE 321 Lighting II
Co-requisites CINE 306 Cinematography I
Concurrent Requisite CINE 316 Camera Seminar II Studio
Minimum Credits 3 Maximum Credits 3
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CINE 316 Camera Seminar II Studio
Camera Seminar II Studio is mandatory concurrent course for those enrolled in Camera Seminar II. In it, students will work in groups acting as operators and focus pullers for in-class exercises. These exercises expand upon the skills students are developing in Camera Seminar II, applying them to more complex and complete storytelling assignments.
Repeatable: N
Formerly 24-3201A
Concurrent Requisite CINE 315 Cinematography: Camera Seminar II
Minimum Credits 3 Maximum Credits 3
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CINE 318 The Art and Craft of Foley
This workshop course offers hands-on projects designed to prepare students to cue, perform, and edit Foley tracks as needed for cinema, animation, television, and games. Small class projects will include studio time for performing footsteps, props, and cloth for Foley. Final projects will require the cueing, shooting, and editing of Foley on student projects.
Repeatable: Y
Formerly 24-2106
Prerequisites CINE 311 Post-Production Audio II
Minimum Credits 2 Maximum Credits 2
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CINE 319 The Art and Craft of Automated Dialogue Replacement
This workshop course offers hands-on projects designed to prepare students to cue, perform, and edit Automated Dialogue Replacement tracks as needed for cinema, animation, television, and games. Small class projects will include studio time for recording principal performers and group ADR. Final projects will require the cueing, shooting, and editing of ADR on student projects.
Repeatable: Y
Formerly 24-2107
Prerequisites CINE 311 Post-Production Audio II
Minimum Credits 2 Maximum Credits 2
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CINE 321 Lighting II
This course expands upon the skills and concepts introduced in Lighting I that revolve around the aesthetics and technical aspects of lighting for narrative storytelling. Using discovery and experimentation, it focuses on the emotional impact of visual image. Both lecture and hands-on practical experience are used to stress the technical elements necessary to accomplish the sophisticated marriage of art and science. Lighting II Studio is a concurrent requisite.
Repeatable: N
Formerly 24-3200
Prerequisites CINE 121 Lighting I and CINE 215 Cinematography:Camera Seminar
Concurrent Requisite CINE 322 Lighting II Studio
Minimum Credits 3 Maximum Credits 3
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CINE 322 Lighting II Studio
This course is designed to work in conjunction with Lighting II and Directing II. Each lighting student will be paired with a Directing II student and collaborate on class exercises, involving a full array of pre-visualization and production techniques with an emphasis on collaboration and communication. The coursework expands upon the skills cinematography students learn in Lighting II, applying them to more complex and complete storytelling assignments.
Repeatable: Y
Formerly 24-3200A
Concurrent Requisite CINE 321 Lighting II
Minimum Credits 3 Maximum Credits 3
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CINE 323 Cinema Color II
Course expands upon concepts taught in Cinema Color I by providing students with training in the theory and techniques of telecine and digital intermediates. Students apply their knowledge of the technical aspects and aesthetics of the celluloid-based film transfers and digital manipulation. Principles of color theory and the tools available to filmmakers engaged in the process of electronic media and image manipulation are explored through lecture, interactive computer exercises, and hands-on telecine experience.
Repeatable: N
Formerly 24-3208
Prerequisites CINE 223 Cinema Color I
Minimum Credits 3 Maximum Credits 3
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CINE 325 Cinema Directing II
Course continues the development of collaboration with actors and key department heads while introducing the principles of cinematic coverage and providing the opportunity to develop personal directorial style. Pre-visualization, fundamental considerations of location shooting, and the use of editing and audio design in cinematic storytelling are emphasized. Student work culminates with the direction of scenes on both studio and location.
Repeatable: N
Formerly 24-3302
Prerequisites CINE 225 Cinema Directing I
Minimum Credits 6 Maximum Credits 6
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CINE 326 Directing Techniques for the Micro Feature
This course examines the skills and aesthetics of micro-budgeted feature film cinema as created by directors working outside the established mainstream. Utilizing innovative hardware/software and ideology, micro feature directors evolve the art and practice of their cinema by creating and challenging financial boundaries, narrative topics and develop personal perspective(s) using entrepreneurial and cost/ time effective methodologies. A variety of proven authorial and developmental approaches shall be used for classroom practice with professional examples, instructor guidance and targeted student assignments/ projects.
Repeatable: N
Formerly 24-4305
Prerequisites CINE 325 Cinema Directing II
Minimum Credits 3 Maximum Credits 3
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CINE 327 Digital Imaging Technician and On-Set Post-Production
This an intermediate-to-advanced, highly technical course in the use of on-set data management. Students will learn the responsibilities of a Digital Imaging Technician (DIT) and will gain experience working on-set for advanced productions. As a member of the Camera Department, students will practice the critical role of interfacing between the production and post teams. A basic understanding of advanced camera systems, data management or color grading is required.
Repeatable: Y
Formerly 24-3211
Prerequisites CINE 230 Editing II or CINE 315 Cinematography: Camera Seminar II
Minimum Credits 3 Maximum Credits 3
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CINE 329 Scene Study with Camera: A Directing Workshop
Course focuses on narrative scene work that is written by the director. Two scenes are developed, cast, rehearsed, shot on location and edited. Collaboration with a cinematographer remains a focus. Critical evaluation during each stage in the process emphasizes identifying the opportunities to revise and improve the material as the director realizes the dramatic potential of a scene and continues to develop a personal style.
Repeatable: Y
Formerly 24-3305
Prerequisites CINE 325 Cinema Directing II
Minimum Credits 6 Maximum Credits 6
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CINE 332 Editing the Short Form
Students edit commercials, trailers, music videos and other promotional short form content under tight deadlines while learning skills relevant to editing spots in a professional environment.
Repeatable: N
Formerly 24-3404
Prerequisites CINE 230 Editing II
Minimum Credits 3 Maximum Credits 3
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CINE 333 Career Planning in Post-Production
This workshop is encouraged for all students in postproduction. Students will create a career plan package including: written plan, resume, bio, web presence and samples of original work. Site visits are included. Students are urged to take this repeatable course during Junior and/or Senior yeaer.
Repeatable: Y
Formerly 24-3410
Prerequisites CINE 230 Editing II
Minimum Credits 1 Maximum Credits 1
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CINE 334 Experimental Editing
Through a series of exercises, course teaches alternative editing strategies for both narrative and non-narrative work. Students cut three short projects based on each covered experimental tradition and then a longer final project. Projects develop with increasing complexity and enable students to apply their ideas about experimental film to their material to develop their own style and aesthetic. Students receive critiques of their work after each project to determine the progress of their proficiency of craft and creativity.
Repeatable: N
Formerly 24-3429
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 338 The Machine Room
Course is an intensive two-day seminar in machine-room technology. The machine room is the heart of a post-production facility. Students will learn video and audio signal patching and monitoring. The mechanics of professional videotape decks, patchbays, distribution amps, waveform monitors and vectorscopes will be covered. This practicum prepares students for post-production industry entrance exams.
Repeatable: N
Formerly 24-3430J
Prerequisites CINE 130 Editing I
Minimum Credits 1 Maximum Credits 1
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CINE 340 Cinema and Media Theory
Using primary texts, the course examines and interrogates the significant debates and concepts in cinema and media theory. Among other issues, the course focuses on the ontology of the moving image, narratology, ideological and psychological theories spectatorship and audiences, and aesthetic differences between analog and digital. Students will read original texts and write papers in response to screenings where they apply various theories and readings.
Repeatable: N
Formerly 24-3500
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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CINE 345 Advanced Casting Director
Course will focus on the casting director’s role as a facilitator of (and creative collaborator) in casting for filmed entertainment. This instruction will entail the full range of affairs between casting director and director during the auditioning phase and a comprehensive look at hiring actors, contract negotiations, actor representation, and the Screen Actors Guild.
Repeatable: Y
Formerly 24-3601
Prerequisites CINE 104 Fundamentals of Casting
Co-requisites CINE 248 Producing I: Production Team or CINE 128 Acting and Directing Workshop
Minimum Credits 3 Maximum Credits 3
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CINE 348 Producing II: Legal and Financial Options
Taking a pragmatic view of the evolving film industry, course examines the basic process of financing film and video projects including research and analysis and associated procedures to procure production financing. Course also explores the bundle of rights associated with filmmaking including the role of the chain of title and the protocol of negotiating corresponding multi-platform distribution deals. A thorough examination of cast and crew dealmaking, contracts relating to locations, vendors, and other production affiliates is discussed.
Repeatable: N
Formerly 24-3607
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Co-requisites CINE 248 Producing I: Production Team
Minimum Credits 3 Maximum Credits 3
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CINE 349 Producing III: The Creative Producer
Course examines the role and functions of the creative producer throughout the life cycle of a film. The creative producer is the person who acquires intellectual property, develops it, packages it, finds financing, and hires and supervisee the entirety of the cast and crew from pre-production through distribution. Course will balance classroom lectures with practical exercises in advanced filmmaking.
Repeatable: N
Formerly 24-3609
Prerequisites CINE 248 Producing I: Production Team
Minimum Credits 3 Maximum Credits 3
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CINE 350 Producing IV: Project Development
Course familiarizes students with the short film as a distinct form and learn the range of ways fictional short films can be originated along with associated best practices, including legal and ethical considerations. Potential sources will include original ideas, complete works adapted from other modes (such as short stories and stage plays), excerpts from existing works, and real world events (via news and current affairs). Under the supervision of faculty, senior screenwriting and producing students will form teams and provide scripts that maximize the creative and logistical potential of the source material. The course instructors will function as executive producers for all the projects developed within the class.
Repeatable: Y
Formerly 24-3608
Prerequisites CINE 248 Producing I: Production Team
Co-requisites CINE 348 Producing II: Legal and Financial Options or CINE 349 Producing III: The Creative Producer
Minimum Credits 3 Maximum Credits 3
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CINE 351 Location Scouting and Management Workshop
Course focuses on the role of the location manager who is responsible for the finding and securing locations to be used and coordinating the logistics involved for the production to successfully complete its necessary work. Further, the course focuses on the location manager as the face of the production to the community and responsible for addressing the issues that may arise due to the production’s impact on the community. The location manager typically is also the primary Location Scout for a film. They usually oversee several other scouts and assistant managers during the course of a show. They will commonly work closely with the director and the production designer during preproduction to find and secure the creative vision expressed by them. They are also responsible for public relations at the locations used and the safety of the crew during filming.
Repeatable: N
Formerly 24-3602J
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Co-requisites CINE 248 Producing I: Production Team
Minimum Credits 2 Maximum Credits 2
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CINE 355A Screenwriting Workshops:
Course is designed to help the students write better and more effective scripts. Students will learn a variety of approaches and techniques. This is a repeatable course with rotating topics, which in the past have included co-writing and experimental screenwriting.
Repeatable: Y
Formerly CINE 355
Prerequisites CINE 245 Screenwriting II: The Feature Film and CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 355B Screenwriting Workshops:
Course is designed to help the students write better and more effective scripts. Students will learn a variety of approaches and techniques. This is a repeatable course with rotating topics, which in the past have included co-writing and experimental screenwriting.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film and CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 355C Screenwriting Workshops:
Course is designed to help the students write better and more effective scripts. Students will learn a variety of approaches and techniques. This is a repeatable course with rotating topics, which in the past have included co-writing and experimental screenwriting.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film and CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 355D Screenwriting Workshops:
Course is designed to help the students write better and more effective scripts. Students will learn a variety of approaches and techniques. This is a repeatable course with rotating topics, which in the past have included co-writing and experimental screenwriting.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film and CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 355E Screenwriting Workshops:
Course is designed to help the students write better and more effective scripts. Students will learn a variety of approaches and techniques. This is a repeatable course with rotating topics, which in the past have included co-writing and experimental screenwriting.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film and CINE 140 Script Analysis for Cinema
Minimum Credits 3 Maximum Credits 3
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CINE 362 Los Angeles Speaker Series
This course offers students participating in the Los Angeles program the opportunity to gain insight into the daily business of the entertainment industry through a series of guest lecturers.
Repeatable: Y
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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CINE 364 The Assistant Director’s Workshop
Course teaches assistant directors how to run a set by assembling all of the elements needed for filming and for the daily operation of the shooting set. Course explores an assistant director’s objective of providing the director with everything he or she needs to put the director’s vision on film. Their duties are supervisory, organizational, administrative - and multifarious. Working within the structure that is governed by budgets, union and guild contracts, industry custom, and so on, they make schedules, attend to the cast, direct extras, oversee the crew as each shot is prepared, create detailed reports of each day’s events, and are looked to by cast and crew to solve many problems that arise in advanced productions.
Repeatable: N
Formerly 24-3624
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 365 Set Decoration
Building on the concepts introduced in Production Design 1, course emphasizes the development and fulfillment of a film’s visual theme through set decoration. Course will include the creative and practical aspects of the Art Department as they relate to Set Decorating.
Repeatable: N
Formerly 24-2012
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process and CINE 107 Production Design I
Minimum Credits 3 Maximum Credits 3
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CINE 368 The Line Producer Workshop
This course provides the Line Producing student with the unique opportunity to produce an advanced student short film. This course teaches Line Producers how to produce a short film by assembling all of the preparation elements needed for filming and then for the day-to-day operation of the shooting set/principal photography. The course explores a Line Producer¹s objective of maintaining financial responsibility while providing the production and Creative Producer with everything needed to put the Director¹s vision on film. Their duties are supervisory, organizational, administrative and multifarious. The Line Producing student will be working within the structure that is governed by budgets, union and schedules, attend to cast, contract with vendors, hire crew, create detailed reports of each day¹s events and are looked to by cast and crew to problem solve on a moment to moment notice before and during production.
Repeatable: N
Formerly 24-3635
Prerequisites CINE 248 Producing I: Production Team
Minimum Credits 6 Maximum Credits 6
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CINE 369 Producing the Commercial
Course introduces the role of the producer in development, production, postproduction, and delivery of commercials. Instruction emphasizes standard practices in production company operations. Students learn how to read storyboards and scripts and understand strategic marketing plans through practical applications. Students will bid, schedule, and execute a commercial production.
Repeatable: N
Formerly 24-3637
Prerequisites CINE 261 Intro to Producing the Commercial
Minimum Credits 3 Maximum Credits 3
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CINE 373 Comparative Screenwriting:
This is a repeatable, rotating subjects course that provides students with an extensive examination of the screenwriter’s role, career, development, and relationship to the production process. These objectives are achieved by comparing and contrasting screenplays and/or screenwriters that are related in a significant way.
Repeatable: Y
Formerly 24-3720
Prerequisites CINE 140 Script Analysis for Cinema and CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 374A Genres in Screenwriting:
Course examines a specific genre and provides an opportunity to develop and write a feature screenplay based upon elements of the genre, but reflective of the student’s personal themes, as well. This is a repeatable, rotating subjects course wherein the genre rotates from semester to semester.
Repeatable: Y
Formerly CINE 374
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 374B Genres in Screenwriting:
Course examines a specific genre and provides an opportunity to develop and write a feature screenplay based upon elements of the genre, but reflective of the student’s personal themes, as well. This is a repeatable, rotating subjects course wherein the genre rotates from semester to semester.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 374C Genres in Screenwriting:
Course examines a specific genre and provides an opportunity to develop and write a feature screenplay based upon elements of the genre, but reflective of the student’s personal themes, as well. This is a repeatable, rotating subjects course wherein the genre rotates from semester to semester.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 374D Genres in Screenwriting:
Course examines a specific genre and provides an opportunity to develop and write a feature screenplay based upon elements of the genre, but reflective of the student’s personal themes, as well. This is a repeatable, rotating subjects course wherein the genre rotates from semester to semester.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 374E Genres in Screenwriting:
Course examines a specific genre and provides an opportunity to develop and write a feature screenplay based upon elements of the genre, but reflective of the student’s personal themes, as well. This is a repeatable, rotating subjects course wherein the genre rotates from semester to semester.
Repeatable: Y
Prerequisites CINE 245 Screenwriting II: The Feature Film
Minimum Credits 3 Maximum Credits 3
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CINE 376 Script Rewrite and Polish
Advanced collaborative workshop course asks students to focus on the subtleties associated with production rewriting from sculpting dialogue, polishing characters to defining the role of theme in the short film arena. Juxtaposed with these creative affairs, students will be introduced to business practices associated with doing rewrite work, including work for hire scenarios. Material for the class must be approved by instructors and Practicum faculty before being admitted into the class
Repeatable: N
Formerly 24-3701J
Prerequisites CINE 349 Producing III: The Creative Producer or CINE 245 Screenwriting II: The Feature Film
Minimum Credits 2 Maximum Credits 2
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CINE 378 Ideation & Theme: Portfolio Review
Course provides an opportunity for screenwriting students to revisit work completed throughout their tenure in the screenwriting program. Students critique their previous work in an effort to understand their themes and styles, their strengths and weaknesses, and their development as a writer. This examination assists students in setting professional goals as screenwriters, whether that includes working in Hollywood or the independent scene.
Repeatable: N
Formerly 24-3750
Prerequisites CINE 374A Genres in Screenwriting: and CINE 253 Adaptation and CINE 260 Screen Treatment & Presentation
Minimum Credits 3 Maximum Credits 3
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CINE 380A Studies in Screenwriting:
This repeatable course consists of subjects of interest to the developing screenwriter. Previous courses have focused on myths and dreams, experimental scriptwriting, business aspects of screenwriting, and historical research. This is a rotating subjects course.
Repeatable: Y
Formerly CINE 380
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 380B Studies in Screenwriting:
This repeatable course consists of subjects of interest to the developing screenwriter. Previous courses have focused on myths and dreams, experimental scriptwriting, business aspects of screenwriting, and historical research. This is a rotating subjects course.
Repeatable: Y
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 380C Studies in Screenwriting:
This repeatable course consists of subjects of interest to the developing screenwriter. Previous courses have focused on myths and dreams, experimental scriptwriting, business aspects of screenwriting, and historical research. This is a rotating subjects course.
Repeatable: Y
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 380D Studies in Screenwriting:
This repeatable course consists of subjects of interest to the developing screenwriter. Previous courses have focused on myths and dreams, experimental scriptwriting, business aspects of screenwriting, and historical research. This is a rotating subjects course.
Repeatable: Y
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 380E Studies in Screenwriting:
This repeatable course consists of subjects of interest to the developing screenwriter. Previous courses have focused on myths and dreams, experimental scriptwriting, business aspects of screenwriting, and historical research. This is a rotating subjects course.
Repeatable: Y
Prerequisites CINE 145 Screenwriting I: Writing the Short Film
Minimum Credits 3 Maximum Credits 3
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CINE 381A Studies in Documentary
Production course for advanced documentary students studies and engages in various subgenres of documentary filmmaking. Such past topics have included visualizing the documentary, the nature film documentary, and cinema verite. Students may repeat this course as topics change.
Repeatable: Y
Formerly CINE 381
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 381B Studies in Documentary
Production course for advanced documentary students studies and engages in various subgenres of documentary filmmaking. Such past topics have included visualizing the documentary, the nature film documentary, and cinema verite. Students may repeat this course as topics change.
Repeatable: Y
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 381C Studies in Documentary
Production course for advanced documentary students studies and engages in various subgenres of documentary filmmaking. Such past topics have included visualizing the documentary, the nature film documentary, and cinema verite. Students may repeat this course as topics change.
Repeatable: Y
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 381D Studies in Documentary
Production course for advanced documentary students studies and engages in various subgenres of documentary filmmaking. Such past topics have included visualizing the documentary, the nature film documentary, and cinema verite. Students may repeat this course as topics change.
Repeatable: Y
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 381E Studies in Documentary
Production course for advanced documentary students studies and engages in various subgenres of documentary filmmaking. Such past topics have included visualizing the documentary, the nature film documentary, and cinema verite. Students may repeat this course as topics change.
Repeatable: Y
Prerequisites CINE 102 Cinema Notebooks and CINE 103 Cinema Image and Process
Minimum Credits 3 Maximum Credits 3
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CINE 382A Advanced Topics in Cinema Editing and Post Production
This is an advanced topics course in Editing and Postproduction. Topics will vary.
Repeatable: Y
Formerly CINE 382
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 382B Advanced Topics in Cinema Editing and Post Production
This is an advanced topics course in Editing and Postproduction. Topics will vary.
Repeatable: Y
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 382C Advanced Topics in Cinema Editing and Post Production
This is an advanced topics course in Editing and Postproduction. Topics will vary.
Repeatable: Y
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 382D Advanced Topics in Cinema Editing and Post Production
This is an advanced topics course in Editing and Postproduction. Topics will vary.
Repeatable: Y
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 382E Advanced Topics in Cinema Editing and Post Production
This is an advanced topics course in Editing and Postproduction. Topics will vary.
Repeatable: Y
Prerequisites CINE 130 Editing I
Minimum Credits 3 Maximum Credits 3
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CINE 383A Advanced Topics in Cinema Directing
This is an advanced topics course in the area of Cinema Directing. Topics will vary.
Repeatable: Y
Formerly CINE 383
Minimum Credits 1 Maximum Credits 4
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CINE 383B Advanced Topics in Cinema Directing
This is an advanced topics course in the area of Cinema Directing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 383C Advanced Topics in Cinema Directing
This is an advanced topics course in the area of Cinema Directing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 383D Advanced Topics in Cinema Directing
This is an advanced topics course in the area of Cinema Directing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 383E Advanced Topics in Cinema Directing
This is an advanced topics course in the area of Cinema Directing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 384A Advanced Topics in Cinema Producing
This is an advanced topics course in the area of Cinema Producing. Topics will vary.
Repeatable: Y
Formerly CINE 384
Minimum Credits 1 Maximum Credits 4
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CINE 384B Advanced Topics in Cinema Producing
This is an advanced topics course in the area of Cinema Producing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 384C Advanced Topics in Cinema Producing
This is an advanced topics course in the area of Cinema Producing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 384D Advanced Topics in Cinema Producing
This is an advanced topics course in the area of Cinema Producing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 384E Advanced Topics in Cinema Producing
This is an advanced topics course in the area of Cinema Producing. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 4
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CINE 385A Advanced Topics in Cinema: Production Design
This course examines the ever-changing landscape of the Production Design discipline and techniques and its place in Cinema and Television. This course presents varying topics that address the vast and rich tapestry of both time honored traditions and up to the minute technological advancement in the field of Production Design.
Repeatable: Y
Formerly CINE 385
Minimum Credits 1 Maximum Credits 6
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CINE 385B Advanced Topics in Cinema: Production Design
This course examines the ever-changing landscape of the Production Design discipline and techniques and its place in Cinema and Television. This course presents varying topics that address the vast and rich tapestry of both time honored traditions and up to the minute technological advancement in the field of Production Design.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 385C Advanced Topics in Cinema: Production Design
This course examines the ever-changing landscape of the Production Design discipline and techniques and its place in Cinema and Television. This course presents varying topics that address the vast and rich tapestry of both time honored traditions and up to the minute technological advancement in the field of Production Design.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 385D Advanced Topics in Cinema: Production Design
This course examines the ever-changing landscape of the Production Design discipline and techniques and its place in Cinema and Television. This course presents varying topics that address the vast and rich tapestry of both time honored traditions and up to the minute technological advancement in the field of Production Design.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 385E Advanced Topics in Cinema: Production Design
This course examines the ever-changing landscape of the Production Design discipline and techniques and its place in Cinema and Television. This course presents varying topics that address the vast and rich tapestry of both time honored traditions and up to the minute technological advancement in the field of Production Design.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 386A Advanced Topics in Cinematography
This is an advanced course in cinematography. Topics will vary.
Repeatable: Y
Formerly CINE 386
Minimum Credits 1 Maximum Credits 6
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CINE 386B Advanced Topics in Cinematography
This is an advanced course in cinematography. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 386C Advanced Topics in Cinematography
This is an advanced course in cinematography. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 386D Advanced Topics in Cinematography
This is an advanced course in cinematography. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 386E Advanced Topics in Cinematography
This is an advanced course in cinematography. Topics will vary.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 387A Advanced Topics in Cinema Lighting:
This repeatable course consists of rotating subjects of interest.
Repeatable: Y
Formerly CINE 387
Minimum Credits 1 Maximum Credits 6
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CINE 387B Advanced Topics in Cinema Lighting:
This repeatable course consists of rotating subjects of interest.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 387C Advanced Topics in Cinema Lighting:
This repeatable course consists of rotating subjects of interest.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 387D Advanced Topics in Cinema Lighting:
This repeatable course consists of rotating subjects of interest.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 387E Advanced Topics in Cinema Lighting:
This repeatable course consists of rotating subjects of interest.
Repeatable: Y
Minimum Credits 1 Maximum Credits 6
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CINE 388A Advanced Topics in Cinema Studies
Advanced Topics in Cinema Studies is a speculative and highly focused inquiry into emergent discourses of cinema history, theory, and culture on the forefront of recent scholarship. Students will synthesize the results of their inquiry into the composition of a graduate-level essay or into the crafting of a video essay. Topics will vary.
Repeatable: Y
Formerly CINE 388
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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CINE 388B Advanced Topics in Cinema Studies
Advanced Topics in Cinema Studies is a speculative and highly focused inquiry into emergent discourses of cinema history, theory, and culture on the forefront of recent scholarship. Students will synthesize the results of their inquiry into the composition of a graduate-level essay or into the crafting of a video essay. Topics will vary.
Repeatable: Y
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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CINE 388C Advanced Topics in Cinema Studies
Advanced Topics in Cinema Studies is a speculative and highly focused inquiry into emergent discourses of cinema history, theory, and culture on the forefront of recent scholarship. Students will synthesize the results of their inquiry into the composition of a graduate-level essay or into the crafting of a video essay. Topics will vary.
Repeatable: Y
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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CINE 388D Advanced Topics in Cinema Studies
Advanced Topics in Cinema Studies is a speculative and highly focused inquiry into emergent discourses of cinema history, theory, and culture on the forefront of recent scholarship. Students will synthesize the results of their inquiry into the composition of a graduate-level essay or into the crafting of a video essay. Topics will vary.
Repeatable: Y
Requirements Junior Standing or Above (JR)
Minimum Credits 3 Maximum Credits 3
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