22-3225 Multiplicity: Theory and Practice in Contemporary Art

Course examines the theoretical and philosophical implications of the multiple through readings, discussions, writing assignments, and studio art projects. Studio techniques demonstrated may include printmaking, casting, or other processes useful in the production of multiples. Course culminates in an individual presentation in which students examine their own work in the theoretical context established by the course. Art history students may present a similar analysis of the work of a contemporary artist.

3 Credits
Requisites PREREQUISITES: 22-1101 History of Art I: Stone Age to Gothic and 22-1102 History of Art II: Renaissance to Modern
Requirements Permission of Instructor